Word: parlorized
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...outs of the HLS, you probably should see it. The plot is thin, even for a musical--a none-too-bright law student with the unbearably alliterative name of Bobby Bubbles gets involved in an absurd scandal which turns on a certain professor's lecherous reputation and a massage parlor beneath a pizza parlor. Most of the show's three hours, however, are taken up with Bobby's far-flung fantasies, which include a bicentennial minute on Law School history, a Perry Mason sequence and a take-off on Hollywood Squares with Law School professors replacing the stars. Archibald...
Norwegian playwright Henrik Ibsen turned the medium in on itself; the confines of the parlor were a perfect metaphor for the confinements of nineteenth century society. An adaptation of Ghosts at the Loeb transforms Ibsen's sitting room into a chic contemporary country home; the end result is a fine production which resembles Ibsen in form but not in sense...
...outset, is a trademark of the Xerox Corp. of Stamford, Conn. The word comes from the Greek xeros, meaning "dry." It refers to the dry, electrostatic copying process (a quantum improvement over earlier wet photographic methods) finally developed in 1938 in a one-room laboratory behind a beauty parlor in Astoria, Queens, by a penurious patent attorney named Chester F. Carlson. Xerox Corp. had revenues of $4.05 billion last year, and today accounts for more than half of all photocopier sales and leases in the U.S. (The chief producers of copying machines after Xerox...
...tragedy is not the only reason why people are watching Mary Hartman. The show's fascination lies in its oddly shifting tone. Almost all of the characters are confused. Mary herself is usually slack-jawed with bafflement-about her sister, who has fallen in with the local massage-parlor king; her grandfather, "the Fernwood Flasher"; and most of all by her stolid and truly enigmatic husband Tom. Though he is having an affair with Mae, a comely co-worker at the plant, he is impotent with Mary. The situation makes him terse and glum...
...having greatly influenced Gauguin, Cézanne, Seurat, blue-period Picasso and especially Vincent Van Gogh. Later, modernism lost interest in images of rural labor; they were derided as sentimental masscult. Millet sank from view, leaving behind one obdurate cliché: The Angelus, in its tacky frame, on every parlor wall...