Word: parred
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Dates: during 2000-2009
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...Yale Spring Opener riding atop the leaderboard with a two-stroke lead, the Crimson’s Day 2 team score of 312 left the team with a frustrating sixth-place finish for the weekend. After Day 1, sophomore Michael Shore led all scorers with a two-under par 68, thanks to two front-nine birdies. Though Shore was the only player in the field to break 70, freshmen Danny Mayer and Greg Shuman carded 72 and 73, respectively, to finish in the top 10 in the individual standings. Freshman Peter Singh and Senior Tom Hegge shot...
...offer meaningful insight into Stone’s psyche. It leaves this reviewer with two main complaints: the ballads and the lyrics. “Bruised But Not Broken” is the only of the ballads that does Stone’s voice justice. The lyrics are sub-par (“Love ripped me up and tore me down / But baby that ain’t enough to break me”), but the apparent sincerity of the sentiment makes the ballad seem less trite than most of its type. The other ballads, though, are markedly worse...
...these books claim to help empower women, but they wind up doing exactly the opposite. Most egregiously, they exaggerate women's financial foibles at a time when we are making more money than ever before. While still not on a par with men's, women's salaries were 77% of men's in 2005, compared with 65% in 1985. These financial frenemies go on to suggest that our misguided habits are the root of this overblown "problem," discounting the economic forces that deflate women's earnings in the first place--things like unpaid family leave and wage stagnation for women...
...historic chance in the Royal Marine hostage crisis in Iran to court the skeptical country par excellence, and prove to the world that European power matters. As a rule, seduction is best when one’s target is disillusioned with the status...
...Although his political achievements are the subject of debate, Jacques Chirac's campaign-musical legacy remains unsurpassed. Composed for his 1981 presidential campaign, "Jacques Chirac - Now!" features choirs, saxophone solos and unashamedly partisan lyrics. Pop-aganda par excellence...