Word: parrotings
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Late night drinkers are going to be hard put to find a place that will see their bout to its finale--most of the bars close at 1 a.m. The Blue Parrot (123 Mt. Auburn St.) and The Idler (right underneath it) are for intimates or loners who like to do their boozing in quiet. Their sangria goes down as smoothly as lemonade and mellows your insides with a particularly warm high. Cronin's (114 Mt. Auburn St.) is a traditional Harvard beer guzzling haunt, but it should be avoided on principle--a waitresses' union protested the restaurant's miserable...
...over his bourbon, while Dooley Wilson, as Sam, plays a little something of his own-Rick's smoky Club:Americain where Claude Rains wins at roulete, where Bergnan's arrival earns Sam's state-Peter Lorre's escape, Sydney Greenstreet and the Blue escape, Sydney Greenstreet and the Blue Parrot. Conard Veidt, Bogart and Bergman and a lighthouse. It's the best melodrama, with unforgettable mood and many great characterizations. Director Michaell Curtiz integrated all the sentiment, all the style, to make a movie to be seen a dozen times...
Casablanca. Bogart gazing emptily over his bourbon, while Dooley Wilson, as Sam, plays a little something of his own--Rick's smoky Club American where Clause Rains wins at roulette, where Crande arrival earns Sam's state--Petter Lorre's escape, Sydney Greenstreet and the Blue Parrot, Conrad Veidt. Bogart and Bergman and a lighthouse. It's the best melodrama, with unforgettable mood and many great characterizations. Director Michael Curtiz integrated all the sentiment, all the style, to make a movie to be seen a dozen times...
...thicket of verbiage protects, and supports, the most banal propositions. Recently, an artist named Jannis Kounellis showed (among other things) a live macaw, sitting on a perch that projected from a steel plate. "The parrot piece," Kounellis explained, "is a more direct demonstration of the dialectic between the structure and the rest, in other words, the nature of the parrot, do you see? The structure represents a common mentality, and then the sensuous part, the parrot, is a criticism of the structure, right?" Stripped of its jargon, this is a not very surprising revelation that parrots are not perches...
Hachette launched a $2,000,000 promotion campaign, ridiculing French journalistic "conformity" and promising Le Point's independence of everybody, including owners-a slap at Servan-Schreiber's control of L'Express. Stung by Servan-Schreiber's charge that Hachette would use Le Point to parrot the government line, Publisher Olivier Chevrillon and Editor Imbert argued that since Servan-Schreiber's entry into partisan politics, "L'Express has ceased to be a true newsmagazine." Le Point, they promised, would be objective...