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...aristocratic relatives followed the sealed black coffin across Berlin's swank Kaiserwilhelm Cemetery. The grave had been dug next to the mausoleum of the family of a distant relative, Baron Manfred von Richthofen, the ace of aces of Imperial Germany. Though there is generally no parson at such funerals, a Protestant pastor was permitted to officiate. Meanwhile all Berlin gaped at scarlet and black posters stuck up everywhere in which Adolf Hitler pointedly emphasized the obvious fact that he had refused to save from beheading Baroness von Falkenhayn and the other beauteous spy who was beheaded with her, aristocratic...

Author: /time Magazine | Title: Foreign News: Stoogettes & Neuter | 3/4/1935 | See Source »

...sharp. Anything Goes further boasts the services of debonair William Gaxton and wistful Victor Moore, respectively President Wintergreen and Vice President Throttlebottom of Of Thee I Sing. Funny as Victor Moore was as Throttlebottom, he is funnier still as "Moonface" Mooney, Public Enemy No. 13. Disguised as a parson, he is forced to flee the country on an ocean liner, soon attaches himself to Billy Crocker (Gaxton), a playboy following a long-lost sweetheart, and Reno Sweeney (Merman), an evangelist turned night club operator...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Dec. 3, 1934 | 12/3/1934 | See Source »

Eldest of eleven children of an English country parson, apparently a solid character, John Cowper Powys was erratic from the start. From early childhood, he says, his life was dominated by a besetting neurotic sin. He calls it sadism but from the many examples he gives it sounds more like the peeping passion. As a young man he used to make trips to Brighton for the sole purpose of looking at girls' legs as they lay on the beach. For years he periodically bought and feverishly devoured armfuls of French pornographic books. When he first went to Manhattan, penny...

Author: /time Magazine | Title: Books: Cracked Image | 11/19/1934 | See Source »

...Master Brown richly deserves his portion, but nevertheless is prone to regard the unsociable defendant, who probably did not fight for the Stars and Bars, with a jaundiced eye. Judge Priest turns the tables in masterful fashion. While the strains of "Dixie" are wafted into the hushed courtroom, the parson, (Henry B. Walthall) comes forward as character witness on behalf of the defendant. The resulting climax will cause Guiseppe Vespucci, of South Boston, to rise tearful from his seat and give the rebel yell...

Author: By W. L. W., | Title: CRIMSON PLAYGOER | 10/22/1934 | See Source »

Like a beneficent country parson, a tall, portly woman stood in the doorway of an old New England meetinghouse at Pittsfield, Mass. one day last week. There she shook hands with some 500 persons who had come to be her guests at another oldtime Berkshire Festival. The guests were either established musicians or else socially important neighbors from Lenox, Stockbridge, Lee. For a few old friends the hostess stooped from her height (6 ft. 1 in.), endeavored to hear their greetings through the mother-of-pearl earphone she wore clasped to her head. But the guests had plenty to hear...

Author: /time Magazine | Title: Music: Reunion in Pittsfield | 10/1/1934 | See Source »

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