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...greatest danger facing a writer of this genre is that of tipping his hand too early in the story. Author Dahl perhaps gives the game away in Parson's Pleasure and Genesis and Catastrophe but makes amends in Royal Jelly, where the plot is nobly saved by an ingenious double ending. Some of the others earn high marks: William and Mary features a neat and neatly solved contest between a wife and her dead husband's brain, which lives on in a basin; Georgy Porgy shows how a man can literally lose himself in a woman...

Author: /time Magazine | Title: Books: In Saki's Steps | 2/22/1960 | See Source »

With a blare of bugles and a rattle of drums, indignant speakers mounted a platform in Accra one evening last week for an "emergency demonstration" by Kwame Nkrumah's Convention Peoples' Party and the Ghana Labor Congress against TIME. An Anglican parson besought God to "destroy those who print what is not true." Led on by vanguard activists ("Comrades recruited from among the most politically educated section of party leadership [to] become educators of broad masses, especially of our illiterate comrades," Nkrumah has called them), the audience shouted Nkrumah's slogans, and Ghana "market mammies" performed tribal...

Author: /time Magazine | Title: GHANA: A Consuming Fire | 1/4/1960 | See Source »

...regular sales force Eaton added a staff of "silent salesmen," as he called the works of art he assembled at Forest Lawn. The first of these was Edith Barrett Parson's Duck Baby, later followed by a vast sculpture group called The Mystery of Life, in which 22 figures watch a baby chick as it hatches out of an egg. From Europe, Eaton also brought back plans of three famous British churches-the one where Gray wrote his Elegy, the one where, according to legend, Annie Laurie prayed for her lost lover, the one where Kipling was (possibly) inspired...

Author: /time Magazine | Title: Books: Disneyland of Death | 12/7/1959 | See Source »

Travis Linn (Parson Manders) gives the most convincing performance. His long speeches, often addressed to the painted fjords at the rear of the stage, are often flat, but, in his shorter lines, he managed to convey the Parson's fatuousness...

Author: By Paul S. Cowan, | Title: Ghosts | 11/13/1959 | See Source »

Only toward the end of the second act does Mrs. Alving's character begin to evolve. Goaded by Parson Manders, she tells of her life with her husband. The third act includes some exquisitely written dramatic moments, as Mrs. Alving learns of her son's disease and Osvald (who has always lived away from home) of his father's profligacy...

Author: By Paul S. Cowan, | Title: Ghosts | 11/13/1959 | See Source »

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