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Word: part (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...grim song follows. A synthesizer simulates the wailing of Muslim prayer chants, in what sounds like an attempt to parody ancient ritual. Juxtaposed with her notes, Hubbard's piano part on the cut becomes simply a trite rendition of images that have long-ago been worked to death. In her search for a niche for herself, Hubbard, despite her supposed "renaissance," merely recasts old tunes, old images, and old ideas in a new, sucaryled form...

Author: By Thomas M. Levenson, | Title: Dentists' Office Jazz | 11/20/1979 | See Source »

...must wonder then, why the hype? Why should Corea and Clarke endorse this album, write poems to Hubbard, much less play on it? The answer is that Hubbard is only a part-time musician; the bulk of her time is spent as an executive in her father's--L. Ron Hubbard's-- Church of Scientology, and both Clarke and Corea are scientologists. Hubbard said she was trying to make no social statement with this album--she achieved all she wanted from her work in her church and was content with that...

Author: By Thomas M. Levenson, | Title: Dentists' Office Jazz | 11/20/1979 | See Source »

...felt strong," Scidmore said. "I think I would have done better, but I was pushed around an awful lot at the beginning of the race. I moved by some people in the middle part, but not getting off faster definitely hurt my time...

Author: By Laura E. Schanberg, | Title: Harriers Take 25th in NCAAs | 11/20/1979 | See Source »

...revolutionary aims. This breaks with his religious ideology--Rastafarianism--which usually extolls pacifism. Marley is a Rasta, a sect whose members believe they are the real lost tribes of Israel, and who revere Haile Selassie, former Ethiopian emporer, as their God. They smoke ganja ritually as a key part of their religion. Rastafarians have always been a peaceful folk. Marley's decision to endorse violence despite his Rastafarian commitment indicates how desperate he thinks the situation has grown in Jamaica...

Author: By J. WYATT Emmerich, | Title: Reggae Revolution | 11/20/1979 | See Source »

...Part of the trouble is in the writing and part in the playing. For a boy-meets-girl play to exercise its potential magic, there must be beguiling charm and a contagious affection. Farrow and Perkins project neither. Farrow's Phoebe is naive without the endearing thread of home spun innocence. Her vocal habit of putting equal stress on each syllable, word and sentence leads to aural torpor. Perkins' Jason is waspish and petulant with out a trace of roguish lovability...

Author: /time Magazine | Title: Theater: Love Apples | 11/19/1979 | See Source »

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