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...when asked how he felt about being such a large part of the win, Vaughan was quick to downplay his contribution...
...website, the Harvard-Radcliffe Dramatic Club describes William Shakespeare’s “Pericles”—written in part by the much less eloquent George Wilkins—as a “rarely produced tragi-comic-histori-vulgar monstrosity of the Shakespeare canon.” A late and obscure work, “Pericles” tells the story of the eponymous prince of Tyre. According to Meryl H. Federman ’11, producer and president of the Hyperion Shakespeare Company (HSC), Pericles “is the great guy that horrible...
...same time, an important part of his education has come from exploring and pushing his own artistic horizons on the stage. “A big part of my ambition while I’ve been here is to try and make sure that every project that I took on has been challenging me in a different way than anything has challenged me before,” Cutmore-Scott explains. “I’ve loved trying stuff that I am not really sure I can do. Like playing in Hasty Pudding was very much...
Zellmann-Rohrer has become an integral part of Harvard theater during the last four years. “Everyone in the theater here knows Michael,” Griggs says. “He can be kind of shy, but somehow he appears here and there around campus and shows just seem to get lit.” In addition to his omnipresence, Shields adds, Zellmann-Rohrer has made a significant impact by mentoring other student technicians. “Michael has a real dedication to helping others,” she says. “He?...
...going for a jarring juxtaposition of nostalgia and trauma within the idea of false memory.” Hume says. “I was interested in the phenomena of people having false or created memories, and these possibilities were part of the emotional framework of the piece...