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That theory fits perfectly with the survival data, as all of the Lusitania's passengers were more likely to engage in what's known as selfish rationality - a behavior that's every bit as me-centered as it sounds and that provides an edge to strong, younger males in particular. On the Titanic, the rules concerning gender, class and the gentle treatment of children - in other words, good manners - had a chance to assert themselves...

Author: /time Magazine | Title: Titanic vs. Lusitania: How People Behave in a Disaster | 3/3/2010 | See Source »

Blackbourn also emphasized his concerns that donors—on whom centers rely heavily—might be unwilling to contribute if they believe their funds will be used for FAS priorities rather than those of the particular center...

Author: By Noah S. Rayman and Elyssa A. L. Spitzer, CRIMSON STAFF WRITERS | Title: New FAS Policy Budget Questioned | 3/3/2010 | See Source »

...scenes in which she and Dirden act as a supposedly “in-love” couple are awkward, and their physical contact is forced and unnatural. The only actors with whom she sparks are Wright and Jones; still, her overbearing presence feels out of place in this particular play...

Author: By Araba A. Appiagyei-Dankah, CONTRIBUTING WRITER | Title: HTC's 'Stick' Flies in the Face of Racism | 3/2/2010 | See Source »

Yale’s policy change is especially significant because of the particular nature of student housing at the school. Like the Harvard house system, Yale’s residential college system is designed to encourage students to stay on campus throughout their four years. However, it seems that the system doesn’t work quite as well as Yale would like—a recent Yale Daily News article cited a figure of 20 to 30 percent of upperclassmen living off campus. Given that many students who live off the Yale campus cite housing restrictions as a motive...

Author: By The Crimson Staff | Title: The Right to Choose | 3/2/2010 | See Source »

...alone is an odd and ultimately speculative judgment to make, like parsing the merits of a “Turandot” set during the Cultural Revolution, or a “La Bohème” in Vichy Paris. But LHO’s reinterpretation of this particular opera in the context of totalitarianism does bring out an aspect of the work that a production more focused on the stormy individualism of Tosca and Scarpia often overlooks: the notion of freedom as something that lies at the edge...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: LHO Reenvisions 'Tosca' in Fascist Rome | 3/2/2010 | See Source »

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