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...Talal bin Abdulaziz al-Saud. And Saudi women still can't drive and legally can't even leave the house to shop, let alone get a job, without a male family member's permission. Yet under the guidance of a few members of the Saudi royal family - in particular the current King, Abdullah - the kingdom is slowly changing. Mixed-gender workplaces are becoming more common, especially in banks and good hospitals, where female doctors are not unusual. "People used to say, 'Why is she working? Why does she need the money?' Now they say, 'It takes a woman to solve...

Author: /time Magazine | Title: New Rights, and Challenges, for Saudi Women | 10/19/2009 | See Source »

...course, that fairy tales can be the darkest kind there are, and in the case of Olive (and Fludd and most of the other creative types portrayed here), a life in the arts has psychic costs. Often it's the next generation that pays. Eventually the children, in particular Olive's daughter Dorothy, eclipse their parents in both the plot and our sympathies. This makes sense in a novel about a transitional era, but it also makes for a disorienting reading experience. For several hundred pages, it's hard to know which characters most deserve our attention...

Author: /time Magazine | Title: Mother Grimm: A.S. Byatt's Latest Novel | 10/19/2009 | See Source »

Guests’ attire helped recall an earlier era of Quincy’s history. Dressed in a style particular to the 1950s, men in attendance wore jackets, and women were clad in dresses, dancing in the dimly-lit dining hall...

Author: By Bita M. Assad and Ahmed N. Mabruk, CRIMSON STAFF WRITERS | Title: Quincy Gathers For 50th Birthday | 10/19/2009 | See Source »

Being an extremely personal play, it seems fitting that Proof was held in the Loeb Ex, an extremely intimate venue; in particular, the use of the stairs in the midst of the audience, successfully drew viewers into the scene...

Author: By Marissa A. Glynias, CRIMSON STAFF WRITER | Title: ‘Proof’ Proves Math Is Moving | 10/19/2009 | See Source »

...Linden ’10 and put on by the Hyperion Shakespeare Company at Harvard, consists of nine scenes describing the seven deadly sins as manifested in various works of William Shakespeare. Its characters range from tortured to downright oblivious, and all of them find themselves victims of a particular fatal flaw. One can laugh and even sympathize with them, but would certainly never want to become them, though it is always clear how easily one could...

Author: By Athena L. Katsanpes, CONTRIBUTING WRITER | Title: Hyperion’s ‘Sins’ Dead On in Entertainment Value | 10/16/2009 | See Source »

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