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Word: particularized (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...hardening Western line reflected suspicions of new unrest behind the Iron Curtain in general and within the Kremlin hierarchy in particular (see FOREIGN NEWS). The hardening line also reflected sober second thought from London to Seoul about what reducing the power of the free world's deterrent might mean...

Author: /time Magazine | Title: FOREIGN RELATIONS: Hardening Line | 5/5/1958 | See Source »

...coming of age in Cambridge is best exemplified by the atlenuation of Class Day, and in particular by the disappearance of the confetti battle. An exhibition of the Dionysian quality of man, a display of unchained frivolity, and a vision of uncommitted youthfulness, the Class Day confetti battle was a gathering of people for the express purpose of throwing confetti at one another according to the dictate of natural reason...

Author: By Edmund B. Games jr., | Title: Confetti Battles in Harvard Stadium | 5/5/1958 | See Source »

...setup arises over the matter of tax-exemption. Since the HSA has already admitted that non-scholarship as well as scholarship students may work for the organization, it seems unlikely that the profits will be used solely for the purpose of paying the term bills of needy undergraduates. In particular, some of the managers of the individual agencies apparently stand to make in a single year more than the amount of a Harvard term bill. This would seem to be a misuse of the tax-exempt status...

Author: NO WRITER ATTRIBUTED | Title: Leviathan | 5/1/1958 | See Source »

...without walls." The old categorical approach is usually used, however, if not out of sheer inertia, at least for convenience's sake. For the current exhibition at Busch-Reisinger, however, the old method is most appropriate, for there are precious few canvases in the whole lot which transcend their particular philosophy, genre or gestalt...

Author: By Paul W. Schwartz, | Title: Deutsche Kunst II | 4/30/1958 | See Source »

...affair begins with a canvas by E. L. Kirchner which has long been a source of particular exasperation to me. Why Kirchner puts a cat in front of a mirror which conflicts with it and behind a figure which jumps behind it in terms of color, is a complete mystery. Once a painting functions as an entity, poetic licence is justified. But until it does the word is meaningless. This painting does not. If the term "expressionism" means something more than emotionalism, then there is more expression in a plum by Chardin. There is more expression, for that matter...

Author: By Paul W. Schwartz, | Title: Deutsche Kunst II | 4/30/1958 | See Source »

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