Word: particularly
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Dates: during 1970-1979
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American folk art, however humble its origin, is soaring in value as well-crafted objects like pewter pots, duck decoys, quilts and scrimshaw (erotic examples in particular) become ever scarcer. Photographs are commanding fine arts prices; an original print of Ansel Adams' Moonrise, Hernandez, New Mexico sold last week for a record $22,000. "We can see the day when a single photograph will fetch $100,000," says Philippe Garner, a Sotheby's photographic expert. Almost any object from the once scorned 19th century now seems as precious as Suez Canal Co. stock was in its heyday. Twenty...
...boogie along the keen edge of the blade. There are lots of scars and some wounds that will never heal. The music remains intact, inviolate. No other group has ever pushed rock so far, or asked so much from it. No other band has ever matched its sound, a particular combination of sonic onslaught and melodic delicacy that is like chamber music in the middle of a commando raid. No other group, in return, has ever had so much asked of it by an audience which takes it as an absolute article of faith that, every time...
...record buyer. The Who's cumulative sales exceed 20 million records. The members' individual wealth?Townshend, Entwistle and Daltrey are all millionaires several times over?is nothing to sulk about, even if the band is not in the highest OPEC aristocracy of rock. This is a matter of no particular moment to the group. It coasts past trends and floats over sales curves just by staying a little outside and to the left of the main current...
Meaden wrote two Mod anthems, Zoot Suit and I'm the Face, for the group's first single, which was no particular success. Shortly after, the band switched managers, changed its name to The Who, and Townshend started writing his own tunes, widening the focus past Mod to take in all the audience. I Can't Explain, My Generation, The Kids Are Alright were as fresh and nervy as battle reports from the front lines where youth was locked in a tag-team match with the forces of the Establishment...
...everything--there's something especially out of place in the sort of analytic attention which Maurice Yacowar gives to Woody Allen in his new book, Loser Takes All: The Comic Art of Woody Allen. The cult of Woody Allen would be inexplicable if he didn't touch on some particular mood special to his times--the anxious defeated mood of the likeable losing neurotic. And the extent of his success would suggest that he touches on it rather in kind reassurance than in a searching or nasty spirit...