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...then, that Michael Susko acts as both director and choreographer. Susko uses the whole stage in forming creative routines that hint at the Busby Berkeley origins of the show and are flawlessly integrated into the story. Even the waiters tap offstage when clearing set pieces from a restaurant scene. Particularly affecting is the tap ballet routine during the play-within-a-play performance of the song “42nd Street” by Krull. Krull exemplifies the triple threat this show demands. Her character Peggy needs to naturally stand out in a line of chorines, “specks...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: '42nd Street' Dances Its Way to Success | 3/9/2009 | See Source »

...Street, has lost much of its corporate business because of the recession, according to Ivan T. Law, the restaurant’s general manager. “We used to do a lot of private dining with financial firms,” Law said, adding that one firm in particular has been on a leave of absence. “We don’t see as much of Lehman Brothers.” At Chez Henri, it’s been business as usual. “Our recruiting has been okay,” said dining room manager...

Author: By Lingbo Li, CRIMSON STAFF WRITER | Title: High-End Eateries Feel Economic Strain | 3/9/2009 | See Source »

...baseball, even the best of teams can be rendered powerless by an ace pitcher who has his best stuff on a particular day. The same is true of hockey and goalies...

Author: By Loren Amor, CRIMSON STAFF WRITER | Title: NOTEBOOK: Improved Engineers Down Crimson | 3/9/2009 | See Source »

...faces” and minorities need added assistance to be cast, this is condescending. Every semester, dozens of students of all ethnic and cultural backgrounds find a home in Harvard’s theater, some having never appeared in a campus production before. To suggest that any person or particular group of people needs special consideration is insulting to their abilities and to the integrity of those constructing the casts...

Author: By Benjamin K. Glaser | Title: The New Era Is Now | 3/8/2009 | See Source »

...campus’s theater as diverse as possible, we must consider that the possibilities of theatrical opportunities are in fact equal and open and that some students are simply not taking advantage of all available prospects. Perhaps some actors, directors, and technicians turn out only when a particular cultural group is putting on a show. At other times, students who are new to theater may be discouraged too easily by a difficult first audition...

Author: By Benjamin K. Glaser | Title: The New Era Is Now | 3/8/2009 | See Source »

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