Word: partings
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Dates: during 1990-1999
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Finally, Glengarry is a difficult piece to achieve because of its self-conscious themes. It is a play about taking control, about manipulation, about struggling to survive. Ruiz uses visual symbols and characterization to avoid a potential pitfall in this essential part of the production. The hunger for money and power is symbolized in Ruiz's constant emphasis on food throughout the production. It also indicates that no matter how different or superior they may profess to be, the characters all share the same drives, needs and desires. Number one sales agent Richard Roma (James Carmichael '00) has several...
...session was part of a nearly two-week-long conference titled Women Waging Peace Initiative, sponsored in part by the Kennedy School of Government (KSG). The conference brought the delegates together to discuss ways to better integrate women into peacemaking processes...
...attempt on the part of viewers to speculate on the deeper meanings of these ashes and what they signify would be pointless in this weak cinematic adaptation of the book. What works for the book--different incidents from McCourt's childhood that connect to create a rich, moving mosaic of his life growing up in Ireland--fails miserably on-screen. Episodic and unsatisfyingly static, the film is bound to disappoint fans of McCourt's memoir...
Director Karin Coonrod must be given credit for taming this tornado of a play. Performed as part of the A.R.T.'s CrossCurrents initiative, an ongoing attempt to "create and sustain a body of new music theatre works," The Idiots Karamazov intersperses cabaret-style singing with its mad dash through practically all the Western fiction and drama worth reading. But an experiment in Brechtian musical theater this is not. With love ballads about the loss of Christian morality that come across as even more depressing than Tom Stoppard's musings in Jumpers and show-stoppers about the benefits of being...
...Part of this believability comes from the strength of the acting. Tobey Maguire plays Homer perfectly. He bings an ideal mix of innocence and naivete to the role, but he also imparts a mature intelligence gained during his days in the orphanage. Homer might be innocent, but he certainly can't be labeled stupid. When dealing with expectant mothers, he learns to read between the lines and sense what's really going on behind the expressions on people's faces...