Word: partitas
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Dates: during 1960-1969
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Give and Take. There was no gimmickry in his playing either. Bach's Partita in E minor had real flesh and blood...
...expressively around the instrument, his reedy, plangent tone skittered through Chagrin's melodic score like something sprung from the wedding of an oboe with a gypsy fiddle. Last week Adler made one of his rare TV appearances, playing his beguiling transcription of the gavotte from Bach's Partita No. 3 for unaccompanied violin on the Mike Douglas Show. And while the taped program was being shown around the U.S., he was already in Israel, entertaining the troops...
Warmed up by the opening Bach Partita No. 5 (G major), Hellman played Beethoven's Sonata Op. 78 with delightful clarity. This oddly structured little sonata has two movements, both allegro, preceded by four measures of 'adagio cantabile.' The harmonies and motives of these four measures contain the thematic material of the following two movements in embryonic form. Hellman saw to it that those materials flowered. Judging Beethoven's instruction, 'Allegro ma non troppo' aright, he chose a properly delberate tempo, then, at the appropriate spots, took liberties with it. In the second movement, he went beyond the bounds...
...colored, his touch always impeccable, his readings alive with an extraordinary range of nuance not often found in the guitar. Celin, 24, followed his father-again with classical selections, but in a mistier, more rhapsodic vein. Angel, 14. offered a limber, clean-lined performance of the Bach Chaconne from Partita Number Two. Pepe, 18, whipped through a selection of flamenco songs with remarkable fire and dexterity, thrumming out the music's traditional chords with steel-sure fingers. Later the four came out together to play the adagio and allegro from Telemann's Concerto for Four Violins...
...AFTERNOON CONCERT--Verdi-Un Ballo in Maschera; Bach-Partita No. 2 for Harpsichord; Hindemith-Die Harmonie der Welt...