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Word: partitas (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...31st Frankfurt Book Fair last week, Menuhin received the booksellers' peace prize of $14,000 as "a man who understands music as a medium for peace." Using the medium as a measure of his appreciation, Menuhin rewarded his audience with the chaconne from Bach's Partita in D Minor...

Author: /time Magazine | Title: People, Oct. 29, 1979 | 10/29/1979 | See Source »

...Bach: Partitas No. 1 in B-Flat and No. 2 in C-Minor. (Igor Kipnis harpsichordist, Angel.) As musical forms go, the Baroque suite or partita was in its old age when Bach decided to have the final word on the subject. He not only included every kind of dance movement previously used (saraband, gigue, minuet) but also introduced some that had not been: capriccio, rondeau and scherzo. The French style of ornamentation, so essential a part of this music, is something Harpsichordist Igor Kipnis has long since mastered. His mordents, appoggiaturas and other embellishments have the ring...

Author: /time Magazine | Title: Music: Classic and Choice | 5/23/1977 | See Source »

...Soviet composer Alfred Schnittke. The music had an eerie, almost macabre aura, heighte at one point when Kremer played against a passage that he had taped earlier and that was being beamed into the hall over loudspeakers. But Kremer's interpretations of two unaccompanied works by Bach-the Partita No. 1 in B-minor and, as an encore, the fiendishly difficult Chaconne-were the biggest surprise. This was Bach done in a robust, free style that damned scholarship and gave the music continuous life and excitement...

Author: /time Magazine | Title: Music: Gidon Kremer: Gaunt and Gripping | 1/24/1977 | See Source »

Lucile Clotfelter, pianist, in recital. Bach: Partita in C Minor; Schumann: Carnaval. Free. Friday, March...

Author: NO WRITER ATTRIBUTED | Title: Classical | 3/14/1974 | See Source »

...This partita demands considerable sustained energy; the violin is never at rest. Long passages of uniform rhythmic figures challenge the performer's musicianship...

Author: By Joseph Straus, | Title: Bach for Bach Mai | 3/13/1974 | See Source »

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