Word: partly
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...administration needs to recognize that inter-house dining is a reality of campus life. It needs to stop ignoring the problems that the current restrictions are creating, and consider stepping in to mandate more reasonable restrictions, if necessary. Harvard’s house system is a great part of campus social life, but we need to make sure that promoting house life in the river houses doesn’t end up leaving others out in the cold...
...talent in the play, however, not all of the acting resonates. Salter’s performance as Taylor is particularly grating. She has the difficult task of playing an awkward character with many psychological and personal issues whose behavior annoys nearly everyone in the play, and she overacts the part. Her lines are occasionally too forceful, her emotional reactions too choppy, and her gestures barely contained within the bounds of the set. In the first scene in which she drunkenly verbally spars with Benton, Salter is uncomfortable to watch, gesturing dramatically, speaking too angrily, and overacting her drunkenness...
Iman and Wright are the runaway stars of the play. Iman plays the part of intelligent young maid Cheryl with energy and vivaciousness tinged with sadness, hitting exactly the right note of each. Her facial expressions convey so much emotion that they almost serve as spoken lines, and she comes into her own at the end of the play when all is revealed...
This conundrum also explains the failure of Obama’s own populist pleas. Populism is less a coherent set of beliefs than an anti-ideology, defining itself entirely by its opposition to political elites; once it takes part in this system of elites through electoral success, its failure to articulate a set of ideals results in its demise. Sensing the populist anger that resulted in Scott Brown’s victory, Obama tried to tap into it, but his efforts necessarily failed; as an elected official, he was a participant in the Washington culture that the Tea Partiers despised...
...band continues in a similar direction on “Permalight,” not only by incorporating studio sounds, but making them a fundamental part of the album. If a return to the lo-fi sounds of their early recordings seemed unlikely after “Asleep at Heaven’s Gate,” “Permalight” makes it seem almost impossible. Rogue Wave haven’t lost their penchant for crafting incredibly appealing hook-laden melodies, which ensure the memorable impression “Permalight” leaves...