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...women are natural blondes. Far more sport blonde hair, however—maybe that’s why people think of blondes as fake. If they’re faking their hair color, maybe they’re also faking that happy face to see you smile? (Dolly Parton once quipped that she’s not offended by “all the dumb-blonde jokes because I know I’m not dumb. I’m also not blond.”) But even for those artificial blondes, should hair really be a reason to judge...

Author: By Kristi L. Jobson, CRIMSON STAFF WRITER | Title: Having a Blonde Moment | 12/2/2004 | See Source »

...latte, she was providing the sound track for your dinner party, the theme for your prom--or maybe the last dance at your biker bar. The diversity of her admirers wasn't restricted to consumers either; she is almost certainly the only person ever asked to duet with Dolly Parton, OutKast and Elmo from Sesame Street. "It's her voice, man," says OutKast's Andre 3000. "It's just so nice. It doesn't matter who you are, she kind of whispers, 'I'm your friend...

Author: /time Magazine | Title: Music: Come Away Again | 2/9/2004 | See Source »

...diva Ashanti belting out a few originals on her soon-to-be-released holiday album. Out of Nashville Kenny Chesney has released his album “All I Want for Christmas is a Real Good Tan” and thus joins the ranks of country artists from Dolly Parton to the Judd’s to Randy Travis and Vince Gill, all of whom have twangy holiday albums on shelves in Wal-Marts nationwide...

Author: By Lisa M. Puskarcik, CRIMSON STAFF WRITER | Title: Bubblegum Machine | 11/7/2003 | See Source »

Some missteps are evident, such as “The Pretty Young Girl,” which features rather out-of-place vocals by Dolly Parton. The saxophone on “Cuach mo Lon Dubh Buí” oozes uncertainty, and ultimately doesn’t blend with Altan’s usual mix of instruments. While credit is due for Altan’s creativity, the group’s essence still lies in the picking of guitars or bouzoukis and the harmonies of fiddle and cello...

Author: NO WRITER ATTRIBUTED | Title: New Music | 4/25/2003 | See Source »

...best songs on Charmbracelet and Just Whitney...are covers. Carey does a terrific remake of Def Leppard's Bringin' on the Heartbreak, and Houston turns the cheeseball standard You Light Up My Life into something vaguely moving. Both have succeeded with covers before--Houston famously with Dolly Parton's I Will Always Love You, Carey with Journey's Open Arms and her near-cover of Tom Tom Club's Genius of Love. Perhaps when your own life is unbelievable, it's easier to sing as someone else...

Author: /time Magazine | Title: The Overdramatic Duo | 12/16/2002 | See Source »

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