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...book is part of a growing collection of explicit material housed by the Harvard College Library (HCL). Encouraged by Harvard’s tendency to avoid academic and scholastic censorship, a surprising range of erotic art has appeared on campus in libraries, classes and student publications. Some of this art implements explicit content to achieve a higher social or artistic purpose, and some encourages us to enjoy the explicit for its own sake...
Responsibility for collection development is distributed among HCL’s bibliographers, each of whom is assigned to suggest new collection items from a specific part of the world. Hazen said, “[We take] pride in being able to ferret out both the mainstream and the fringes, presenting a full spectrum of what’s being said and thought and argued.” There are no particular rules by which bibliographers must abide, provided the material is legal. For proposed collection additions, price is more often an issue than objectionable content...
...BOMB takes itself very seriously, and we want students to as well,” he said. “I was really drawn to [H BOMB] because sex is something that is often not talked about in a thoughtful manner, at least at Harvard. I wanted to be part of that conversation...
...February, Muller gave voice to “The Little Coochie Snorcher That Could,” a multi-part monologue from the point of view of a victim of childhood sexual abuse. Muller played the 16-year-old version of this woman; three other actresses portrayed the same character at younger ages. Of these, Muller had the longest part, and she found it was anything but easy...
...most part, however, the movie is more uncomfortable than funny, though perhaps not in the way that the filmmakers intended. Cringing feels more appropriate than laughing when Kirk makes a fool of himself in front of Molly’s parents, or when he allows Devon to shave his testicles. The entire film circles around this urge to thrust Kirk into as many awkward situations as possible—which is funny at times, but mostly falls flat. With this goal at its center, the film lacks a cohesiveness which makes the ending seem rather like a hasty attempt...