Word: pas
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Dates: during 1910-1919
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...journalist. Like Roosevelt a firm believer in the big stick, he has clubbed his way to the top by the sheer force of his convictions. He roused the enmity of the socialists by the vigor with which he used the military to quell the mining strikes in the Pas de Calais department in 1906. He fired the wrath of the bourgeois by his denouncement of the Russian Alliance and his firm belief in the necessity of an entente with England. His untiring support of Dreyfus, in the long years when that famous case was disrupting all France, brought him many...
...number have been willing to give double the amount of time required for the Regiment of last year to the work of training themselves to be officers of a reserve army. The very first drills have proved that the men this year do not regard the instruction as a pas-time or a compulsory measure to escape from by means of any excuse. The attitude of the men is one of keen desire to learn the elementary lessons as quickly and thoroughly as possible. If this spirit continues, as we may be assured it will, the Harvard Unit...
Tomorrow is the last day for undergraduates to sign up for oral examinations. All those undergraduates except those who entered before 1910 must pas before the end of their second year a special oral examination to test their power of translating either French or German. These exams will come in the afternoons beginning next the Recorder, 4 University Hall, in writing before tomorrow noon...
...Post '04 on the Spanish Paintings; Professor A. Pope '01 on the Tintoretto "Diana"; Professor H. Edgell on the Piero della Francesca "Crucifixion"; and on the Cassone panel, Pesellino, "Building of the Temple," and Fra Filippo Lippi, "Madonna and Child"; Professor A. Pope '01 on the Turner "Pas de Calais"; and Mr. P. J. Sachs '00 on the "Drawings by Old Masters...
...works of art loaned and exhibited for periods ranging from one week to six months were: Tintoretto, "Diana"; Piero Della Francesca, "Crucifixion"; Pesellino, "Building of the Temple"; Fra Filippo Lippi, "Madonna and Child"; Turner, "Pas de Calais"; Byzantine panel, 13th century, "Scenes from Life of St. Peter"; Rogier van der Weyden, "Noli me tangere"; Lucas Cranach, "Lady in Red Gown"; Filippino Lippi, "Descent from the Cross"; Moretto da Brescia, "The Magdalen"; 16th century Flemish pictures, "Annunciation," and "Crucifixion"; Dutch pictures, Rembrandt, "St. Bartholomew," Franz Hals, "Portrait of a Man Seated," David Teniers, the Younger, "The Five Senses," Girolamo da Santa...