Word: pas
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Dates: during 1960-1969
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...game's rarer types: he reads Rousseau and Nietzsche, puffs on a pipe, studies his fellows through owlish spectacles, and naturally is nicknamed "the Professor." He is fond of recalling how he once dumfounded a batter by declaring from the mound: "Us ne passeront pas...
...Started in Naples (Shavelson-Rose; Paramount) ends, at least as far as its interest for adults is concerned, when Clark Gable and Sophia Loren engage in a water ballet pas de deux in the Blue Grotto. But this foolishness does not occur until fairly late in the film, and what precedes it is noisy, cheerful and frequently funny. A good part of the reason is a nine-year-old rowdy named Marietto, who plays an Italian urchin and clowns well enough to deserve two names...
...enters the White House, we will have a friend in him? A.: Why are you using "if?" Q.: What are his essential qualities? A.: Courage, hard work, culture, love of a job well done, a willing and reflective character. Q.: Does he have any faults? A.: Potted too (Pas du tout, or "Not at all"). Q. (edged with Gallic suspicion): That's too good to be true? A. (in most sagacious tones): You don't want me-his mother and best election agent-to unveil the weaknesses of my John? . . . Like the scholiasts of old, two U.S. intellectuals...
...four ballet evenings, the Festival presented a company headed by Andre Eglevsky (who had also performed at the 1956 and 1958 Festivals). Paired up with Melissa Hayden, the two demonstrated their renowned artistry in pas de deux from Tchaikovsky's Black Swan and Delibe's Sylvia. The pleasantest surprise was the dancing of young Edward Villella; his entrechats were breathtaking, and his consummate general control clearly places him on the verge of a noble career. Most of the dancers in the company were from the New York City Ballet. Among the other items on the program was the world premiere...
...entertainment,'' a kind of Balanchine variety show. In a swirl of color, foreign visitors to the court strut the stage dressed in everything from the gaudily feathered headdress of West Indians to the pink and gold garb of Eastern potentates. Highlights of the evening: a fluently elegant pas de deux between Jacques d'Amboise and Melissa Hayden, and a rousing Scottish number whose stately classical movements were abruptly interrupted by the splayed gestures of a country reel...