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...Central Government, which is the dream of anyone anxious to avoid a polarization of Cold War forces in the Congo: anyone, in short, who supported what Hoffmann called Hammarskjold's conception of the UN. Hoffmann's confusion of these quite different military actions is surprising. Ce qui n'est pas clair n'est pas francais...

Author: By Michael W. Schwartz, | Title: Stanley Hoffmann's UN | 1/9/1962 | See Source »

Auspitz: Ce n'est pas drole...

Author: NO WRITER ATTRIBUTED | Title: The Love Game | 12/5/1961 | See Source »

...salute to her husband, Prince Stanislaus ("Stash") Radziwill-who just happened to be home in London at the time. Locking his gaze on Jacqueline Kennedy's fashion mentor, Oleg Cassini, Roosevelt droned relentlessly on, undeterred by the President's prompting interjections (". . . Stash, wherever you are"), committing a pas almost anyone might have fauxed (see cuts...

Author: /time Magazine | Title: People: Dec. 1, 1961 | 12/1/1961 | See Source »

...what had happened when the identical passage was correctly played at the end of the piece. Those who realized at the time that Britten had not intended the opening notes to sound like a tuba solo suffered a moment of agonized embarrassment for the performer. Indeed, such a faux pas might easily have flustered the most experienced of artists, but Mr. Pottle recovered quickly and played quite well from there on. The orchestra was adequate, and Mr. Walker again sang superbly. Senturia generally kept up a good balance among soloists and instruments except in the middle of the rather terrifying...

Author: By Mary Shelley, | Title: HRO at Sanders | 11/6/1961 | See Source »

...contrast. Where the Bolshoi is flamboyant, dramatic and unabashedly fond of popular acclaim, the Kirov is precise, understated, a trifle aristocratic. The Bolshoi's prima ballerina may dash the length of the stage to leap into Prince Siegfried's arms with breathtaking drama in the Black Swan pas de deux of Swan Lake; Zubkovskaya takes a few brief steps and makes the leap with a rippling grace that is equally breathtaking. The Kirov's tempo is more often a stately adagio than a flashy presto, and the spectacular is always shunned for the stylistic...

Author: /time Magazine | Title: Music: Nijinsky's Heirs | 9/22/1961 | See Source »

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