Word: pas
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...Rome. Wounded he was-but still deadly dangerous, with 60 divisions, including his crack Panzers, to defend Western Europe. Adolf Hitler correctly divined Normandy as the probable Allied Schwerpunkt, concentrated his armored reserves behind seven infantry divisions in the target area and, closer to Germany, maintained strength in the Pas de Calais area (see map). Hitler's most mobile general, Field Marshal Erwin Rommel, well knew that Allied air superiority (5,000 fighters on the channel front to a mere 119 for the battered Luftwaffe) would rule out any battle of maneuver. Rommel strengthened the coast defenses and prepared...
...dancing and investing in the stock market alike? Wall Street may not think so, but Dancer Nicholas Darvas does. To find out how he has danced his way to a fortune in stocks, see BUSINESS, Pas de Dough...
Balanchine's plotless episodes were set to later, drier Webern-music that chattered, squeaked, moaned and repeatedly died away in cacophonous little cries. Dance matched music with some wonderfully inventive and often funny sequences of movement. In one pas de deux (set to Five Pieces, Opus 10), Balanchine has a man and a woman approach each other time and again in an elaborate effort to embrace, only to have a final miscalculation leaving them clutching at air. Vastly different in their approaches, both Balanchine and Graham were remarkably successful at illuminating Webern's sparse, mostly atonal scores-perhaps...
...Pas de Deux. Undaunted, Tito and Dame Margot a few days later assembled Nola, Elaine and a second shrimper, Mary Ann, to raise the sunken arms. As they brought up the boat, Tito talked enthusiastically of his plan to attack a National Guard post. Mary Ann headed for port, Elaine took the outboard in tow, and Tito headed for a secluded island to finish the arms transfer undisturbed except for the pop of Dame Margot's flashbulbs. But the spoilsport crew of the Mary Ann, reaching port, spilled the whole plan to the National Guard...
...effects in the series of soaring Act II lifts and in the last-act duet in which she hovered back to consciousness on feet as tremulous as a butterfly's wing. And where Plisetskaya had omitted the famous 32 fouettés (snapped turns) in the "Black Swan Pas de Deux," Timofeyeva whipped them off with a bravura that brought the house alive with a roar...