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...familiar face (his own), happily gave the verdict on a wax bust molded by a local sculptress named Viramani: as good as anything he'd ever seen at London's famed Madame Tussaud's. After a minor touch-up job and correction of a faux pas-the plaque at the base of the bust added a year to Nehru's 69-the present from Sculptress Viramani goes on permanent display at his home...

Author: /time Magazine | Title: People, Dec. 8, 1958 | 12/8/1958 | See Source »

Some of the faux pas of which over-exuberant HSA directors were guilty included implied coercion of independent concessionaires, poor presentation of the organization's advantages, and even lowered profits as the price of membership. All this uproar came through misjudgment. Burke and the other directors believed that "our greatest problem would come from Harvard Square merchants, not from the students themselves...

Author: By Claude E. Welch jr., | Title: The HSA: Older, Wiser--and Bigger | 9/18/1958 | See Source »

...gestive of romance, adventure, passion: such foundation powders as Pond's Angel Face, Revlon's Love-Pat and Max Fac tor's Creme Puff; such lipsticks as Rubinstein's Red Hellion, Revlon's Fire and Ice, Helen Neushaefer's Torrid and Pink Pas sion; such creams as Max Factor's Cup of Youth and Helena Rubinstein's Tree of Life. It lends mystic significance to a word such as moisturizing and nurtures a euphemistic cant in which reducing becomes slenderizing, dye becomes hair color, and diet becomes menu plan. Its slogans have...

Author: /time Magazine | Title: MODERN LIVING: The Pink Jungle | 6/16/1958 | See Source »

...moodiness of the most protean, joyous, impish and intense artist of the century. The most interesting shots are of Picasso hamming it up. Duncan caught him greeting a fine day by dancing on the balcony in a petticoat and an African helmet, wearing an apelike mask, trying a ballet pas de deux with Jacqueline...

Author: /time Magazine | Title: Art: Picasso en Casa | 3/10/1958 | See Source »

...Pas de Deux. The spelling assignment went to Skidmore, Owings & Merrill, whose group architecture produced a design with two important new space-creating features. The building is entirely supported by steel columns outside the glass facade, thus leaving on each floor an unobstructed span, 58 ft. across by 177 ft. long, for flexible office planning. The service core with its elevators, rest rooms and air conditioning, which clutter up the center of most office buildings, is installed in a separate tower...

Author: /time Magazine | Title: Art: How to Spell Steel | 2/10/1958 | See Source »

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