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...Faux Pas at Dunkirk...

Author: /time Magazine | Title: Letters, Jul. 11, 1977 | 7/11/1977 | See Source »

...next item on the program at the New York opening provided some immediate comment on The Firebird. It was Grand Pas Classique, a showpiece that mocks technical virtuosity while flaunting it. Cynthia Gregory and Fernando Bujones were in dazzling form, and the crowd cheered them on as if it too had been let out of a haunted forest. In ballet, at least, there are apparently limits to museumship...

Author: /time Magazine | Title: Dance: The Firebird: A Hop into History | 5/9/1977 | See Source »

Pierre, the main character in Pas si Mechant que ca (or The Wonderful Crook as its American promoters have inadequately dubbed it) looks strong, clumsy and dumb--like the stereotypical college football star. The opening sequences of the film cut from a shot of Pierre armwrestling with his fellow workers to one of the boss yelling because Pierre is "always playing around" and has lacquered a board that should have remained natural. So, when the foreman calls for Pierre we expect he will be reprimanded and find out instead that the boss is, in fact, Pierre's father, and that...

Author: By Joellen Wlodkowski, | Title: Much Better Than All That | 3/29/1977 | See Source »

...Willa Kim's red, white and blue costumes. Pinching years into seconds required lightning transformations by Sarry and Baryshnikov. Pioneers became Indians, who eventually turned into Central Park joggers. More than ever, Feld's choreography demanded speed and lucidity. Darting here and there in prickly little pas phrased right on the music, Sarry would suddenly spin out in a phosphorescent series of turns. Then she and Baryshnikov led a smart cakewalk. He threw a snappy salute and then, breaking free, rocketed through the air in flashing cabrioles that made the audience gasp...

Author: /time Magazine | Title: Dance: Misha Meets Yankee Doodle | 3/21/1977 | See Source »

Variations on "America" is "a blue-sky, apple-pie kind of ballet. If it misses the intensity of some of Feld's longer works, it also lacks their some times disturbing undertones. A circus of bravura set pieces, it may well join Le Corsaire, Don Quixote and similar pas de deux as staples of gala pro grams. Variations is bound to tempt other virtuoso pairs. There are two reasons, however, why it may not look quite the same: Christine Sarry and Mikhail Baryshnikov...

Author: /time Magazine | Title: Dance: Misha Meets Yankee Doodle | 3/21/1977 | See Source »

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