Word: pascal
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Dates: during 1940-1949
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...Pascal was indignant. In his 16 years as a waiter at the Café de Flore, in Paris' bohemian Latin Quarter, Pascal had heard more crackpot talk about art, letters and life than a hundred ordinary men hear in a lifetime. For Pascal, most of it went in one ear and out the other. But he remembered that last year there was a haze of glory around the Café de Flore, when Existentialism was in its first febrile flower. Jean-Paul Sartre, the wall-eyed little founder of Existentialism, and his disciples jabbered nightly at the Flore. Admiring...
...some way which Pascal could not quite fathom, the bohemian tradition was being betrayed. It was a tradition epitomized, in the Left Bank's 19th Century heyday, by Author Jules Barbey d'Aurevilly, who used to lead a live lobster around on a leash. "He does not bark," Barbey solemnly explained, "and he has the wisdom...
Sartre and his followers were not seen so often now at the Flore. Disappointed admirers had stopped hanging around, and the place was full of nobodies. That saddened Pascal; and he was alarmed to see Existentialism menaced by two upstart cults: Lettrism and Sensorialism...
...Henri Spaak). The Ukraine (Dmitri Manuilsky) prodded sarcastically: "Who is to decide which are the 'great classics of human thought?' Human thought has taken some very capricious turns at times! Very capricious. ..." (Lebanon's own uncapricious selections: Plato, Aristotle, St. Augustine, St. Thomas Aquinas, Shakespeare, Leibnitz, Pascal, Descartes, Kant, Averroes.*) The matter was referred to the Assembly, to be referred back to a committee...
Caesar and Cleopatra (J. Arthur Rank-United Artists) cost the British $3 to $5 million (by pressagent accounting), and will be peddled in the U.S. as a spectacle. As spectacle, this Gabriel Pascal production does itself proud-from stupendous Technicolor replicas of Ptolemaic Egypt down to intimate studies of the young Queen's décolletage. But all the munificent movie art does not conceal art of a rarer, riper kind: the dialogue for this superspectacle was written by a great master of prose and of wit, George Bernard Shaw. By & large, the playing is worthy of the dialogue...