Word: pascale
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Dates: during 1970-1979
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...latitude of the imagination, sharing it with other purifiers of experience: Piero della Francesca, Poussin, Cézanne. Its fundamental condition, the mood of La Tour's key paintings, is a kind of analytical silence: a stillness that mediates between the logic of Descartes and the mysticism of Pascal, both of whom were La Tour's approximate contemporaries. To see the candle flame play on the faces of La Tour's models, rendering them both explicit and transcendent, is to witness a profound meditation on the limits...
...Sunday school, and guesses that the reason he doesn't like even the word liberal comes from his belief in religion, his faith that the old King James version is the only true one. And when he learns that, no, I am not saved, his comment is straight from Pascal: "Well if I'm right I've gained everything, and if I'm not, well then what have I lost? But you've lost everything either way when...
...seven sophomores in the starting line-up reflected Penn's recent drive for hegemony in Ivy League sports, and every time coach Bob Seddon went to his bullpen he defied Pascal's laws of probability as no less than five different left-handed pitchers paraded before Crimson batters during the afternoon...
Because of Pascal, Francoise Fabian, and a well-structured set of surprises and coincidences. My Night at Maud's was one of last year's freshest films. The film did depend on the premise that isolated beliefs could determine a man's psychology and philosophy, but the incredibly dull Clermont-Ferrand setting. and the background of the characters, added some depth to this view. One is always willing to grant a director his assumptions so long as they are used for pertinent ends, and because Rohmer's people really cared about their situation, and because the actors communicated this, Rohmer...
...Nuit Chez Maud. Eric Rohmer wrote and directed this drama about the basic choices people make to determine the quality of their lives. Set in a claustrophobic French town and loaded with conversation about Pascal and Catholicism, this movie is so well done that it makes all its points in the camera work and in the performances of Jean-Louis Trintignant and Francoise Fabian. The involved dialogue is merely an added...