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Doublecrossing and savagery are the ingredients of this plot, and the only thoroughly likeable character is a Viennese expatriate (Helen Miorren), who supplies arms to the Greek rebels seeking to overthrow the Ottomans. The Pasha is greedy, his minister conniving and threatening to those who stand in his way. His Turkish subjects are best described by their predilection for sacrificing sheep. One scene shows a man selling knives used for this purpose, with an American woman shrinking in horror at the thought of this barbarity. And later in the film, the title character sees such a sacrifice and recoils...

Author: By Ross G. Forman, | Title: The Fall of Hollywood's Newest Empire Film | 8/15/1988 | See Source »

Capote's father, Clarke relates, was a charming con man named Arch Persons, a bad-check artist who worked, when he worked, as a promoter for a carnival performer called the Great Pasha, whose specialty was being buried alive. His mother was a small-town Alabama beauty named Lillie Mae Faulk, who eventually chucked the shiftless Arch, headed for New York City and changed her name to Nina because it sounded more sophisticated. Little Truman was parked for much of his childhood in a Southern-gothic household of eccentric cousins in Monroeville, Ala. But Clarke stresses that his most agonizing...

Author: /time Magazine | Title: Books: The Troubles of the Tiny Terror CAPOTE: A BIOGRAPHY | 5/30/1988 | See Source »

...Family. And more are on the way. Helene von Damm, once Reagan's personal assistant and later Ambassador to Austria, has reportedly penned something less than a valentine to the First Family, and a new book by former White House Aide Martin Anderson describes Reagan as resembling a "Turkish pasha, passively letting his subjects serve...

Author: /time Magazine | Title: Why Reagan's a Target | 5/23/1988 | See Source »

...Orient Express situations in which everyone is the murderer? Everyone has a motive; no question about that. Malcolm goads his whining brood without mercy, taking care to be seen splashing money and champagne in all directions but theirs as he buys racehorses and lolls about the world like a pasha...

Author: /time Magazine | Title: Books: Reverse Lear HOT MONEY | 3/21/1988 | See Source »

...would defend to the death, or pay hard cash to hear, Goldie Hawn's. For as executive producer and star of Protocol, she posits the notion that to secure a strategic base in a mythical Arabian emirate, the U.S. Government would act as procurer for the pasha. As the Washington cocktail waitress who catches the Emir's eye when she saves him from assassination, Hawn has some good funny moments dealing with the celebrity that follows from her heroism. But Director Herbert Ross stages farce awkwardly, and Buck Henry must have hated writing her closing speech, in which she soberly...

Author: /time Magazine | Title: Cinema: Rushes Protocol | 1/14/1985 | See Source »

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