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Although most of the humor in Punch and Judy Get Divorced is clean, this musical does have underlying sexual themes. In Part One, the two Pollys (the musical's term for unmarried Judys), played well by Pashalinski and Grate, titter about their sexual exploits in "The Polly Song." Part Two reaches a new level of sexual complexity, as Judy baby's husband runs away from her to be with another man. (Of her husband's male friends who used to come visit, she sings bitterly that they were "envying me and flirting with him" instead of the other way round...

Author: By Mary-beth A. Muchmore, | Title: A Very Odd 'Punch and Judy' | 10/31/1996 | See Source »

...title suggests, the divorce of the famous puppet characters. Through witty songs and well-chore-ographed dance, it is able to successfully address the problems of marriage in the 1990s, while providing plenty of comic relief. Punch and Judy become the archetypal married couple; as Judy 1 (Lola Pashalinski) says: "We've been together for 200 some odd years--some very...

Author: By Mary-beth A. Muchmore, | Title: A Very Odd 'Punch and Judy' | 10/31/1996 | See Source »

While a very roughhewn justice is dealt the plot, Trinculo, the jester, has become a blowsy demimondaine (Lola Pashalinski), and her companion, the drunken butler Stephano (Louis Zorich), looks like a disheveled French chef with a torn toque blanche. The pair do a crude parody of Mae West...

Author: /time Magazine | Title: Theater: Isle of Blight | 7/20/1981 | See Source »

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