Word: passagework
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...fail to deliver on charm and grace, particularly in the third movement. Levine drew out long lines ascending a hearty scale in the minuet. The clarinet solo featured in trio section easily captured the sweet, dance-like feel of the symphony’s shortest movement.Yet the nimble passagework of the symphony’s finale was not characterized by the same clarity of the orchestra’s crisp trills and clean spiccato passages in the allegro section of the first movement. Some of the running notes in the woodwinds were swallowed in the playful dialogue of the virtuosic...
...many women violinists of talent and temperament now gracing the world's stages. Korean-born Kyung-Wha Chung, 40, shared first prize in the Leventritt Competition with Pinchas Zukerman in 1967, and has since established herself as a major artist on the strength of her burnished tone and fiery passagework. Chung is a performer of great interpretative range and insight who can light up the night with a blazing Tchaikovsky concerto, probe the intimate, sorrowing mysteries of Alban Berg's twelve-tone essay in the form, or tackle Sir Edward Elgar's king-and-country Violin Concerto with equal aplomb...
...universally appealing are also responsible for his difficulty to perform. Happily, though, David Sogg is an extraordinarily gifted musician. His tone is clear and pure, his technique marvelous. Few regard the bassoon as an exceptionally agile instrument, but Sogg demonstrated that it can be precisely that. The rapid passagework and the herioc leaps between the uppermost and lowermost registers were rendered with astounding lucidity. More importantly, his fine sense for the subtle lyricism of Mozart was obvious, especially in the second movement, and throughout the piece he allowed the music to express itself with such subtlety that...
...force for Led Zeppelin. His playing is rhythmically acute. especially across bar lines. sane in the use of distortion and intelligent rather than self-indulgent. His solos offer neither the bludgeoning egotism of Jeff Beck. nor the excellent yet ultimately tedious work of Eric Clapton; neither the excessively frenetic passagework of Alvin Lee, nor the elegant but limited solos of George Harrison. Page has a much better grasp of the organically developing long line than Eric Clapton, whose style of repetitious punctuation suggests a less sentient man. But Cream was organized around the drums while Led Zeppelin is organized around...
...insecurity occasionally reared its head during the Piston, it was certainly in full view throughout the Mahler. The orchestra's performance was rife with premature entrances, bad ensemble, sloppy (though assidious) passagework and poor intonation. On the whole, the woodwinds came off better than the strings, though everyone seemed to be working hard. Marilyn Malpass was a model concert-mistress, at all times attentive to the conductor and heroically attempting to bring the rest of the section along with her. Oboist Carl Schlaikjer was shaky in the second movement, but recovered by the sixth and spun out some...