Word: passion
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Dates: during 1970-1979
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...pool, with the audience distributed in a horsehoe around it: at one end floats Cleopatra's sturdy raft; at the other, the diving board extends over the water like an erect phallus. Don't laugh--that's the intention. The board clearly conveys the perils of Antony's passion; the longer it gets, the more wobbly and precarious the position--man at his tallest and most triumphantly masculine, may in a second topple into the waves and be lost forever. All we miss is the Esther Williams schtick; what we get is Antony and Cleopatra shouting at each other from...
...this secular age, God is not very popular among composers. One notable exception is Krzysztof Penderecki, 45, a Polish Roman Catholic. He has written a St. Luke's Passion (1966), Dies Irae, an oratorio for the victims at Auschwitz (1967) and a Magnificat (1974). For the past four years, Penderecki (pronounced Pen-de-ret-ski) has labored on a huge, lofty project: recasting Milton's epic poem, Paradise Lost, into an opera. But last week, in its world premiere at the Lyric Opera of Chicago, Penderecki's huge effort failed to justify the ways...
...doddering devotion to his viol. But Win Hoover, in a pivotal role as the elder of the conniving brothers, is too easygoing to contemplate chicanery. His gestures toward the women he supposedly desires are unbelievably half-hearted. Marie Richards as the timid Alizon does little to stir passion in any of her suitors, and with the other supporting players is humorlessly one-dimensional...
...correctly perceives them as destabilizing, offering alternative values and lifestyles not easily controlled by the usual middleclass institutions and therefore dangerously unpredictable. In rejecting the acquisitive values of the mainstream the cults reject America. The political left and remnants of the '60s movements also attack the cults with a passion; after all, the cults focus attention on spiritual matters, self-realization, mystical attainment, and divert attention from the ever-delayed but inevitable revolution, or at least from reform and restructure of the economy and political life. The established religions also turn away, secure in the knowledge that they have...
When this couple, so prodigious in their ambition, self-deception and passion, first fell in love, she was the wife of Hans von Billow, a great Wagner admirer who often conducted his work. For a few years Bulow tolerated the affair, even though it brought two Wagner babies into his household. One reason for the unusual arrangement was that all three wanted to keep the scandal from the young King Ludwig II of Bavaria, who was their adoring, idealistic patron. Finally in 1868, pregnant once again, Cosima left for Switzerland to live with Wagner, and here the diary begins...