Word: passion
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Dates: during 1970-1979
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...message or say something, he doesn't tailor his material to the audience because everyone has different tastes. So he simply gets up there, says what he thinks is funny, and everyone laughs. Well, don't buy it. Allen hates improvisations with a passion. He needs to be in control, and from the beginning of his career has demanded (and won) the right to write, direct, star in, and even handle the promotion for his films. Every seemingly random pause, gesture, intonation in his material is carefully practiced and structured to contribute to the whole; it is the only...
Andre Watts, pianist, on playing the Liszt Sonata: "It's a moment of stoppage of existence, like blacking out, like I am going around the bend. It is a moment of transcendental passion. A no man's land...
What Brook offers is a kaleidoscope of insight and detail; he misses nothing in the play. But there is little space left over for passion or a world well lost for love. Antony (Alan Howard) and Cleopatra (Glenda Jackson) seem too much like old buddies, rather than old and reck less lovers. Jackson brings overflowing energy to the part. Physically she is mesmerizing. Playing the imperious Queen, she uses broad, almost sculptured arm gestures. A moment later she is running like a girl or jumping dervish-like in tight circles. But there are no pauses or silences here, and finally...
...will not allow passion to tip it into tragedy...
Since this is a play in which talk is often used to hide rather than reveal emotion, Natalya's passion is well camouflaged until she discovers that a similar chemical reaction has set in between her 17-year-old ward Vera (Amanda Michael Plummer) and the tutor. As Natalya schemes against Vera like a soap opera villainess, every sort of womanly hell breaks loose. In the end, Vera, Rakitin and Aleksei depart, leaving Natalya sad der but, one suspects, not a whit wiser...