Word: passion
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Dates: during 1980-1989
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Both participants suffer. Ben Ata is slowly ennobled by contact with his bride, but at a cost of self-confidence. His once brutal decisiveness has been tempered by the uncertainties of reflection. Al∙Ith, experienced in the bloodless sex of her own zone, sinks into a passion and carnality as frightful to her as it is exhilarating...
...movie has its moments--a cute line here, a nice touch there. Mostly, however, Nijinsky offers a series of stuffed Edwardian interiors with little passion to enliven them. Herbert Ross has done the unthinkable: made a film about dance that's heavy on its feet...
...McDonough, as the battered but not broken Weston, commands the stage with more than the mere physical presence of his wiry frame. Weston can never keep his passion for living more than a shade below the surface, whether he's breaking down the door or erecting a new one to keep the world out, and McDonough provides this desperate vitality. When he repents his first act drunkenness (and his entrance in a garbage can, surely an inspired bit of dramatic symbolism) with typical quixotic fervor, the futility becomes only more apparent. He can rant and rave but never escape...
...cruelest, if most honest, of the three villains if Ferdinand, the Duchess' other brother. Shiels and Raymond have gambled heavily here, casting a woman, Kate Levin, as the lustful Ferdinand, but their bet pays off. Ferdinand is passionately in love with his own sister: Levin's casting makes incest all the more unsettling. Insanely jealous of his sister's husband, Ferdinand destroys his sister rather than see her happy with a man he thinks unworthy of her. Unlike Cort and Sands, Levin moves awkwardly--on purpose. Ferdinand struggles against an over-whelming passion, giving in to impulse and then regretting...
...love affairs go, America's passion for the convertible has been low key but enduring. From the dawn of the auto age, the sleek stargazing ragtops have symbolized youth, fun and sun. Generations of couples romanced at drive-ins in their back seats, while film starlets and Presidents were photographed proudly sitting behind their steering wheels. But convertibles never accounted for a large slice of Detroit's market; and they finally were killed by air conditioning, increasing vandalism and high-speed driving on interstate freeways. One by one, the big automakers stopped building them. The last U.S.-made...