Word: passional
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Dates: during 1960-1969
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...South Carolina cotton picker as a child, Harlem slum dweller as a teenager, Singer Kitt listened with growing impatience to the women's pernickety reports about the causes of crime in the streets. Finally she spoke up-with passion, if not with convincing logic...
...time that it warns them that the search will corrupt their souls. When he majored in English literature at Columbia University, for example, he remembers being confronted by the cult of failure that imbued most of his fellow students. They felt that while sex was a natural and admirable passion, a hunger for worldly success was ignoble. For a star student who wanted to be a great and famous poet, that attitude quite naturally caused some troubling guilt feelings...
Last year Diana Sands played the protagonist in Robert Lowell's Phaedra with Philadelphia's Theater of the Living Arts and failed to be consumed by passion, as in Joan she fails to be consumed by faith. Like the founders of the Negro Ensemble, she has publicly deplored "the wall" most Negro performers face. With indubitable talent and spunk, she has proved that the wall can be scaled. Yet she is encouraging herself, or being encouraged, as a Negro, to attempt parts for which she currently lacks the size, range and maturity as an actress...
Youth and age were in close contact as Rubinstein and the members of the superb quartet worked through the spacious, gypsy-tinged passion of Brahms, accepting, rejecting, arguing and agreeing as four equal colleagues. Rubinstein "discovered" the Guarneri last year, when he heard tapes of the quartet's first studio session. "There was an immediate chemical reaction," says RCA Victor Producer Max Wilcox. So far, one result of that chemistry has been released, the Brahms Piano Quintet. The Schumann Piano Quintet will be issued soon. Were the quartet members awed by a collaboration involving a 50-year...
...subject, and his distinctively blunt features can be seen in many of his paintings and drawings. But his second presence in The Family of Charles IV gives ironical depth to an already profound picture. By stripping away his own mask of detachment and presenting a self as warped by passion as any of his royal subjects, the artist seems to suggest that whatever frailty they symbolize, it is one that he cannot pass judgment upon...