Word: passional
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Dates: during 1970-1979
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...leads a young man into an inferno, the Christfigure whose father shouts "My child, why have you forsaken me?" This Beatriz not only represents a reworking of past myths, she is also a symbol of moderns. As a solitary prisoner of her condition, she is doomed in her passion for another. She like Juan touches only images of herself--never her true self. Self-conscious but skeptical, both are trapped in a void. More than an adaptation of Nathaniel Hawthorne's familiar tale, Rappaccini's Daughter, now at the Loeb Ex, is a new play by Octavio Paz who grows...
...that's when the warring begins. Thomas Champion and Laura Bartell are well-matched as the estranged couple, who enjoy picnicking on each other when they're not feeding on themselves. Champion carries off the complex part of Henry--torn between his lusts of the moment and his fierce passion for immortality--with an enviable ease. His inflections, his mannerisms, even his blond beard are all just right...
...attention they could have asked for. At each of the buildings they seized, an outdoor television studio was created, and newsmen competed for telephone interviews with the gunmen. Dr. Harold Visotsky, chairman of the department of psychiatry at Northwestern University, believes that deranged persons have a passion for keeping up with the news and imitating it. "These crimes are highly contagious," he says. Today in the U.S. they are a virulent social illness...
...first book (and the new volume in the Yale Series of Younger Poets), Greek-born Olga Broumas, 27, displays both reckless energy and passion. Her subject is sexual love between women, and her allusions range from the classical goddesses through fairytale heroines to such contemporary poets as Sylvia Plath and Anne Sexton. The poems portray lesbianism as a brave new world, a terrain that women have been tricked (by themselves and men) into avoiding. To the uncertain, Broumas offers a refuge in eroticism...
...novel in which Stahr refers to Kathleen as a "Beautiful Doll." Ingrid Boulting is precisely that--a porcelain figure, heavily made-up and beautiful to look at, but seemingly ready to break at a touch. There is no real sensuality in her, none of the flesh-and-blood passion Fitzgerald probably means to suggest when he has Kathleen describe herself as "sex-starved...