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Stoppard's passion for rock music dates from his days in Bristol, where he would see most of the touring music acts that came to town--among them Frank Sinatra (who played the Bristol Hippodrome in the early '50s and didn't sell out), the Everly Brothers and Eddie Cochran, the rockabilly singer whose British tour ended when he was killed in a car crash in 1960. Like everyone else, Stoppard embraced the Beatles and Rolling Stones when they came along, but he admits to being a late bloomer when it came to Pink Floyd. "I ignored them completely...

Author: /time Magazine | Title: Theater: Elitist, Moi? | 10/25/2007 | See Source »

...band"). "I'm a very boring person," he insists. He doesn't go to movies, he says (though he writes plenty of them; see box), and spends most of his spare time reading--most recently Janet Malcolm's biography of Gertrude Stein and Alice B. Toklas. His chief recreational passion is trout fishing, which he does four or five times a year, usually in Hampshire, England, but with periodic ventures to more exotic climes like New Mexico and Wyoming...

Author: /time Magazine | Title: Theater: Elitist, Moi? | 10/25/2007 | See Source »

...have a passion for the theater and for what I do. If a writer comes to me and says, "I have a script that could make a great musical," why would I not follow that through...

Author: /time Magazine | Title: Broadway's Favorite Babe | 10/25/2007 | See Source »

...study and you’re likely to get three different answers. For some, it’s a melodic language of nostalgia and loss. For others, it’s the synchrony of two bodies in motion. And for some, it’s a symbol of passion and possession deeply interwoven in structures of social authority. At 3 p.m. this afternoon, the curtain will rise on “Tango! Dance the World Around: Global Transformations of Latin American Culture,” a weekend conference in Radcliffe Yard that will interrogate these riddling definitions through a unique...

Author: By Alison S. Cohn, CRIMSON STAFF WRITER | Title: Conference Tangoes Across Disciplines | 10/25/2007 | See Source »

...squanders Staples’s humorous potential to focus on emotive passages that seem silly within its walls. Coupland has created the archetypes of society’s endgame, but instead of bringing them back to the living with his trademark wit, he terminates them with all the passion of a Xerox user manual.“The Gum Thief” may have been Coupland’s play for postmodern literary power, an ill-conceived appeal to critics to see him as more than a pop-culture reference point. It may never have occurred to him that...

Author: By Ryan J. Meehan, CONTRIBUTING WRITER | Title: Sorrows of the Young and Worthless | 10/25/2007 | See Source »

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