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...function of Chow?played by Leung as a sensitive gigolo whose smirk can mature into a sigh?is to direct our glance to all the fabulous women in the cast. The camera, mainly manned by Christopher Doyle, prowls around the women like a lover in the first flush of passion. It captures and caresses the actresses' radiance: Lau's bold sensuality, Faye Wong's elfin resiliency, Gong Li's fragile hauteur. Zhang, in a panoply of pouts, flirtations and surrendering smiles, is at her most ravishing and nuanced, especially when swathed in the spectacular cheongsams of costumer designer (and editor...

Author: /time Magazine | Title: In the Mood for Rapture | 5/24/2004 | See Source »

...This year is still relatively young, and Wong's romantic epic, in the version shown at Cannes, is not quite finished. Still, we say that?because of its passion, its craft, its belief in the grace and pain of love?2046 is the film...

Author: /time Magazine | Title: In the Mood for Rapture | 5/24/2004 | See Source »

...would be contradictory to commit, with this film, sins for which Christ died." Frantisek Tondra, Slovakian Bishop, rebuking religious leaders and activists for screening pirated copies of Mel Gibson's The Passion of the Christ

Author: /time Magazine | Title: Verbatim | 5/24/2004 | See Source »

...Julie Andrews gracing the red-carpeted steps of the Grand Palais. The film selection held some sweet surprises, such as Paolo Sorrentino's deadpan crime comedy Consequences of Love, and a 4 hr. 38 min. Palestinian drama, Yousry Nasrallah's The Gate of the Sun, which overflowed with passion, smart dialogue and a knowing, dreamy poignance. Jean-Luc Godard's Our Music, about the Israel-Palestine conundrum, concluded its dark ruminations by sending its lead character to a heaven patrolled, without apparent irony, by U.S. soldiers. Even the annual French essay in angst, Agnès Jaoui's Comme...

Author: /time Magazine | Title: The Cannes-Do Spirit | 5/23/2004 | See Source »

...plays a 1960s-era mistress with a panoply of pouts, flirtations and surrendering smiles. It's a spectacular star performance in a rapturous ode to love and loss set in China's past, present and future. The year is still young, but - in its passion, its craft, its belief in the grace and pain of love - 2046 may be the film of 2004. If Cannes' solid program lacked anything, it was an old-fashioned film scandale. In another venue, Fahrenheit 9/11 might have done the trick; but since nearly everyone at Cannes is left wing, the debate was minimal (except...

Author: /time Magazine | Title: The Cannes-Do Spirit | 5/23/2004 | See Source »

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