Word: passione
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Dates: during 1950-1959
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...skillfully stitched through Arrigo Boito's libretto. As Othello, Tenor Mario del Monaco sailed onstage in full joyous shout in his "Esultate," and from there on through his Act III explosion of jealous rage, never pausing to be subtle, kept the house ringing and the stage dark with passion. Baritone Leonard Warren as lago proved again his ability to soar dramatically or modulate to a mahogany pianissimo, invested his role with an air of sly innuendo that it often lacks. As Desdemona, velvet-voiced Soprano Victoria de los Angeles took her time warming up, but was in soaring form...
...passion for Peanuts unites such varied readers as Poet Carl Sandburg, General Motors' President Harlow Curtice, and a dozen Navymen at the South Pole who crowd around a bulletin board each day for their Peanuts ration. The sparely drawn strip is included as a comment on mid-century mores in a historical textbook published by George Washington University. Peanuts earned its paterfamilias, Minnesota-born Artist Charles Monroe Schulz, the Cartoonists' Society's annual Reuben Award. Last week the editors of Yale's humorous monthly Record twined ivy in young (35) Charles Schulz's laurels...
Paths of Glory. A passion out of fashion, antimilitarism, vented by a gifted new director, 29-year-old Stanley Kubrick (TIME...
...with an unexpected hit on its hands. Decca is now high on the charts with the soundtrack music of Around the World in 80 Days by Victor Young. Other companies have rushed into vinyl with the sound tracks of such uncertain musical bets as Mogambo, The Pride and the Passion, Hot Rod Rumble. By and large, present-day studio composers seem a trifle more sophisticated than the practitioners of "Micky Mouse" music in the '30s, when whole orchestras simply hurtled into the bass clef when a character tumbled downstairs. Columbia's The Bridge on the River Kwai...
Blood Wedding is a very earthy story of love and blood feud coming into conflict and leading to resolution in suffering, bloodshed, and despair. The Bride is in love with a member of the family whose members have killed the father and brother of the Bridegroom. Torn with passion that can never lawfully be gratified, she runs away with her lover immediately after the wedding. The play marches on through to fulfilment and the threnody at the end with a note of inevitability, as if the poet felt that no one was to blame, but that everything had been ordained...