Word: passione
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Dates: during 1980-1989
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...naval intelligence (Kevin Costner) has a dangerous love affair with the Washington mistress (Sean Young) of the Secretary of Defense (Gene Hackman). It begins as hot reckless sex in the back seat of a limo and climaxes in death and betrayal. No Way Out keeps escalating past passion into mortal power struggles, in which the guilty are forever eliminating the slightly less guilty. But the film rescores, in melodrama's high pitch, the lament of any bright woman with a healthy carnal appetite: Why do men insist that you be either Donna Reed or Donna Rice...
...performances are all excellent. Din and Barber manage to be bored without being boring. They create a sweet, if abstracted love that still exists between Sammy and Rosie, despite their lukewarm marriage. "Sometimes I need a little passion," she explains. Without sarcasm, he smiles, "Don't let me stand in your...
...strange vacuum, a palpable absence. Ronald Reagan, for so long a vivid presence in the American consciousness, seemed, for a time at least, to be lost, almost vanishing. One thought of a line from A Passion for Excellence by Tom Peters and Nancy Austin: "The number-one managerial productivity problem in America is, quite simply, managers who are out of touch with their people and out of touch with their customers." The President and his customers were living on different planets...
...teaching, Solow and his wife Barbara, an economic historian at Boston University (they have two grown sons and a daughter), divide their time between a waterfront condominium in Boston and a summer house on Martha's Vineyard. At the Vineyard, a 24-ft. sailboat is Solow's primary passion. He plans to use part of his $340,000 Nobel Prize money to equip the boat with a new Genoa jib. "I've been just a poor academic up to now," he says, noting that the value of his only other major asset, his share of the M.I.T. pension fund...
...collection of essays, Less Than One, published last year. Yet his imagination, steeped in classical and European traditions, seems familiar and accessible to Western readers. Brodsky is a lyricist of loss, of the slipping away of the past, loved ones, youth; his customary tone is one of passion tempered by hard-earned irony. His poems rely heavily on visual impressions, as in this look at the scenery surrounding a state farm: "The horses, inflated casks/ of ribs trapped between shafts,/ snap at the rusted harrows/ with gnashing profiles." Such concrete images can survive the transition from Russian to English with...