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...comfortable together in screen saddles as they have been in a friendship that goes back to 1932 and summer stock. Now the old cronies have teamed up again in The Cheyenne Social Club, a wonderfully outdated odyssey of bawdy innocence. True, the film is populated with more pasteboard characters than you could empty a pair of Colt Peacemakers at. There is not just one whore with a heart of gold, but six. There is the starched, parched lawyer feller and the inevitable gang of scabrous villains without a redeeming virtue to their sinister names. The dialogue is beautifully peppered with...

Author: /time Magazine | Title: Show Business: Innocent Revisited | 6/29/1970 | See Source »

...drag, nevertheless can, and did when I saw it, overflow with life. It is a farce with typically Shakepearian comic elements. For the most part everyone stays the same, there is no real hero, and the humor consists of the devices which were old hat to Aristophanes. But the pasteboard hero (Fenton) does get his girl (Anne Page), and Ford learns that he has been unreasonably, unnaturally jealous, and calms down...

Author: By Frederic C. Bartter jr., | Title: Shakespeare and the RSC | 11/24/1969 | See Source »

...symbolist poet had written, "is to do away with three-quarters of the enjoyment. To suggest it, to evoke it -that is what charms the imagination." The art of suggestion, Vuillard discovered, required subtle materials; oil on canvas seemed too shiny and thick. He started painting on unprepared pasteboard, which absorbed some of the color. He also turned to pastels for sketching, and experimented with powdered colors. Success came early and easy, but it frightened him. "I must look out," he said. "Well-meaning patrons may disturb my routine." By 1914, however, the spotlight had shifted from post-impressionism...

Author: /time Magazine | Title: Painting: The Quiet Observer | 8/23/1968 | See Source »

...come in around non stay till five, come back at seven and stay till closing. The old TV bought years ago to encourage business after a new highway isolated the place from traffic, is never turned on. Once in a while a stranger will come, attracted by the pasteboard sign hanging in the window: "McNulty's--Next to the railroad potato yards, come in and meet the real spuds." The real spuds always have something to say, and its always about politics...

Author: By Paul J. Corkery, | Title: The Real Spuds | 7/28/1967 | See Source »

...Christmas Day itself marks the birth of Christ. But it is sometimes hard to remember in the weeks before. Instead, the chief big man seems to be that fellow Santa Claus, the patron saint of giving. Pillowed and pastyfaced, he chortles from a myriad of department-store thrones, and pasteboard likenesses beam from drugstore windows. Under his spell, the battle cry in thousands of U.S. homes becomes...

Author: /time Magazine | Title: Customs: The Great Festival | 12/10/1965 | See Source »

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