Word: pasted
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...bears witness to Azarya’s agonizing choice between denying the secular world that so engages him or leaving his communal responsibilities and attending MIT—a struggle which informs Cass’s own thinking on religion’s roots and allure. While in the past Cass waits to discover what Azarya will decide, in the present readers wonder whether Cass will prevail in his upcoming religion-and-reason debate at Harvard against a neoconservative Nobel Laureate...
...sense that it displayed the organization of the executive board, the passion of the students of Kuumba, the connectedness which is inter-generational now,” says returning alumni Dennis J. Henderson ’79. “They’re very concerned about connecting the past to the present and to the future so they have a vision for keeping Kuumba going and expanding it. I believe that it is also the foundation for greater stability in the future...
Lovely though the end result may be, it is difficult to get past the sense of guilt accompanying the release of these undead films. The question transcends aesthetic merit and becomes personal: does a significant contribution to the genre outweigh the ethical concerns of intruding on an artist’s personal work? every artist has the prerogative to decide which ideas to pursue. It’s a right as basic as keeping one’s thoughts to oneself, and to produce someone’s unfinished work feels, at some level, like an extremely personal type...
...with any sort of authority about a director’s work. Although Hobbs seems enthusiastic, knowledgeable and well-meaning, allowing him to make decisions about how “Lunatic” will be finished is only slightly better than ceding control to the next person to walk past Kubrick’s old home in Hertfordshire...
...piece endows it with a very different meaning than it would have had as a contemporary film in 1956. To place the resurrected “Lunatic” in the same category as, for example, a Tarantino film—whose director intentionally sets certain films in the past as a means of exploring certain generic tropes—indicates a troubling lack of comprehension of Kubrick’s place in cinematic history. Such a choice should serve as an ominous harbinger for anyone concerned with the integrity of the director’s work...