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Slowly, Hizballah is losing its influence over daily life. The Iranian flag still flies from the watchtowers of the former Lebanese Army base, but its red, green and white stripes have faded to a uniform pastel. Many of the hundreds of Iranian Revolutionary Guards who lived inside the barracks have reportedly left. Many women used to wear chadors, but now relatively few do; over the past 18 months, the Iranians stopped paying them to wear the long black veils...

Author: /time Magazine | Title: Deep In Kidnapper Country | 8/19/1991 | See Source »

...women have a lot in common. Both have effortless charm and a popular touch that politicians would kill for. The camera worships them: Queen Mum in her spun-sugar hat, pastel coat anchored by a huge, gem-laden brooch and a dusting of ostrich feathers; Diana in her elegant column of silk or her inspired off-duty wardrobe (including a Philadelphia Eagles jacket). These women just don't take a bad picture. Perhaps only the Pope is as photogenic...

Author: /time Magazine | Title: A Royal Star Shines On Her Own: DIANA, PRINCESS OF WALES | 7/29/1991 | See Source »

Orlando's residential subdivisions have the same dreamed-in feel: strung along narrow county roads, many are pastel agglomerations of arbitrary architecture, all behind secure walls. "When you drive around Orlando," says John Rothchild, author of Up for Grabs, a cultural anthropology of Florida, "it's not clear where Disney World begins and ends...

Author: /time Magazine | Title: Orlando, Florida: Fantasy's Reality | 5/27/1991 | See Source »

EDWARD SCISSORHANDS. The Jesus story retold in pop pastel colors -- except that Edward, poor gentle creature, nearly gets crucified at Christmastime. Tim Burton (Batman) directs the season's funniest, bittersweetest film...

Author: /time Magazine | Title: Critics' Voices: Dec. 24, 1990 | 12/24/1990 | See Source »

...Corbusier: A Marriage of Contours is an arresting exhibit, interesting for its unique context, as well as the quality of the artwork shown. The collection of drawings, in pastel, watercolor and pencil, was assembled by Le Corbusier himself with the goal of representing the breadth and spirit of his pictorial work. This goal is admirably realized and results in an exhibit which is both dynamic and unified. Almost without exception, each individual piece is worthy of close inspection. But Marriage of Contours also displays a temporal progression in the style of this vibrant artist. The exhibit is an education...

Author: By Suzanne PETREN Moritz, | Title: Viewing Forms of Le Corbusier | 10/19/1990 | See Source »

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