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Word: pastel (lookup in dictionary) (lookup stats)
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...fraud, but the film derives most of its interest not from the ethics or mechanics of chicanery but from its recreation of the rogue's paradise of inter war Europe. To a certain extent, facades are as important to film-makers as they are to bankers, and Resnais's pastel facade is everything you could ask for--intricate, exotic, and above all pleasing...

Author: By Paul K. Rowe, | Title: Banks and Mountebanks | 3/27/1975 | See Source »

...secrets dies with him, he is laid out in a statuesque repose that is not dismaying. The unrelenting beauty of the film gives it almost all of its impact, you can wallow in it and you can hardly escape seduction to at least that extent. Everything is painted in pastel; Deauville and Biarritz; corks popping out of magnums of Moet & Chandon; Rolls-Royces and Hispano-Suizas; tuxedoes and boutonniere roses; country houses with immaculate lawns; Alps, pale sandstone rocks beneath pale aquamarine waves, and flowers, thousands of them, everywhere. You don't think much about politics in a setting like...

Author: By Paul K. Rowe, | Title: Banks and Mountebanks | 3/27/1975 | See Source »

...overall impression of the Washington temple, with its thick carpets, pastel velour upholstery and soft lights, suggests a posh hotel more than a church...

Author: /time Magazine | Title: Religion: Behind the Temple Walls | 9/16/1974 | See Source »

...work of Amiet and Augusto Giacometti, in particular, comes as a revelation. Augusto Giacometti seems to be one of the claimants to the honor of having produced the first deliberately abstract works of art. His wavy-edged pastel, Abstraction After a Stained-Glass Window in the Cluny Museum, dates from 1900, fully a decade before the mutual creation of abstract art by Larionov, Kupka, Kandinsky and Arthur Dove. Amiet's work, though less aggressively avantgarde, is also of more than parochial quality. After his early apprenticeship with Gauguin's disciples in the Pont-Aven group, he never lost...

Author: /time Magazine | Title: Art: An Obsession with Seeing | 4/8/1974 | See Source »

...scientific progress unalloyed by humanism, in its parody of man's attraction to death over life, in its mockery of religious faith, "the good life," and beauty and truth alike, Zardoz digs away at most of our rationalizations for living. As an alternative, it offers death: the first pastel holocaust I've seen on the screen. It is, as they say, worth the price of admission alone...

Author: By Arthur H. Lubow, | Title: Looking Forward | 3/25/1974 | See Source »

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