Word: pasteles
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...panel--a series of inlaid walls and ancient colonial doors still in use--shows the passage of time richly through layers of pastel paint. A Pepsi logo can just be noticed disappearing under splotches of local color...
Standing around Africa Square Park in Miami's shabby, pastel-colored Liberty City, a knot of young blacks laments the Cuban invasion. "They're messing us up," says one. "They're taking bread out of our mouths." Another complains that the Cubans and Haitians are willing, even eager, to work for the legal minimum wage, or less. Many of the young blacks say they would rather not work than hire themselves out for what they consider insultingly low pay. Says Dorothy Fields, founder of Miami's Black Archive, a historical research agency: "It appears that we have a group...
...Wedgwood's Runnymede dinner service at $556 for a 25-piece set ($800), a dozen Waterford crystal glasses at $258 ($402). At the nearby Laura Ashley shop, just off Sloane Square, about half the customers are Americans. They spend an average of $245 each on such items as a pastel flowered frock ($43) or a cotton sweater ($37)--about a third to a half the prices in Ashley's U.S. branches. Tourists crowding into the china-reject shops in Knightsbridge find a five-piece place setting of Royal Worcester's Evesham for $26, Baccarat crystal wineglasses...
...Clemente is a curiously polymorphous artist. He works, not always with the same assurance, in numerous media: fresco, watercolor, pastel, oil on canvas, sketchy washes over silver leaf. His work embraces a lot of art-book references, from the overripe baroque of his native Naples to Tantric symbolism. It is full of occultism, tarot, necromancy, devils, Sabbats and pallid sexual grotesquerie. It always looks hasty. It is heavy on the orifices: eating, coupling, defecating; the mood varies from mysterioso rhetoric to voyeurism. One moment Clemente is quoting poses from Giulio Romano's illustrations to Aretino to Indian miniatures (he spends...
...Minh City in 1985 is physically little different from Saigon in 1975, just as Hanoi is much as the French left it in 1954. Both cities are full of pastel stucco and the decaying architectural flourishes of colonial temps perdu. In Hanoi, which shows surprisingly few signs of the U.S. bombing, water buffalo pull carts down boulevards lined with tamarind trees. There are few automobiles; as elsewhere in Asia, the bicycle is ubiquitous...