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Word: pasts (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...experts, said that Citizen Porcella was not listed as a first-rate expert, or even as a second-rate one. A Chicago art dealer named Jack Shore, president of the Sheridan Galleries, proudly revealed that Porcella had authenticated half a dozen similar masterpieces for him in the past year (among them a "Leonardo"). All were restored by Zlatoff-Mirsky, whom Shore identified as "one of the great undiscovered American painters." Normally, these would be major art finds, which would set every major U.S. museum scrambling. There has been no scramble...

Author: /time Magazine | Title: Art: Found & Lost | 11/30/1959 | See Source »

...Peace Center on the site where the first A-bomb was dropped. His solution for the museum, library and auditorium was typically Corbusian: a series of reinforced concrete structures set on stilts. But for the memorial itself Tange felt the need of something more evocative of Japan's past, decided on a massive concrete vault derived from the ancient Haniwa houses found in the burial mounds of early Japanese emperors. Under the shell is a simple stone block, beneath which the names of A-bomb victims are placed...

Author: /time Magazine | Title: Art: New Japanese Architect | 11/30/1959 | See Source »

...Roof. With success, Tange found himself growing restless with the international modern style he had inherited from the West, increasingly probed into Japan's deep architectural past. There he found heavy beams and posts (necessary in an earthquake-plagued country), a love of structural expression, and at the most primitive level, ancient pit houses with thatched roofs that heavily emphasize weight and volume (as opposed to the elegantly simple floating structures with shoji screens familiar to most Westerners...

Author: /time Magazine | Title: Art: New Japanese Architect | 11/30/1959 | See Source »

...Prefectural Office, completed last year. With its massive exposed beams rising in tiers, ceramic Zen symbols emblazoned on its walls, and a rock garden in the tradition of the Ryoanji Temple, it strikes an unmistakably Japanese note in the modern idiom of reinforced concrete. As well as recalling the past, Tange believes his building must also "make an image of our new social structure." For Tange this means the new democracy in which citizens are now invited to become part of the government. To welcome them, he has left the garden open for concerts, set benches under the raised stilts...

Author: /time Magazine | Title: Art: New Japanese Architect | 11/30/1959 | See Source »

Impressed by his sudden emergence into the limelight, the Massachusetts Institute of Technology invited him this fall to lecture as a guest professor. In Cambridge last week, Tange's thoughts were still in Japan; he was worried that too many traces of the past may remain in his work: "Tradition," he says, "must be like a catalyst that disappears once its task is done...

Author: /time Magazine | Title: Art: New Japanese Architect | 11/30/1959 | See Source »

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