Word: patchworks
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Dates: during 1940-1949
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...Bidault last week: "We must govern in the center with the aid of the right to reach the goals of the left." This Gallic triple-talk indicated the weakness of the coalition that Bidault must depend upon to govern. As long as the present Chamber of Deputies exists, only patchwork coalitions of devious and delicate compromise will be possible. An increasing number of deputies want to dissolve the Chamber and hold new elections. Yet that would do little good unless there were a change in France's basic electoral law. The present law, providing for an especially dizzy form...
...city better seen at night. Then it had mystery, beauty and grandeur-a mammoth black patchwork, spotted with the pink blossoms of the Bessemers, hung with lights stretching out between the pale river highways, the Ohio, the Allegheny and the Monongahela. In the daytime it emerged in all its sprawling ugliness...
...lighten the atmosphere. Minneapolis' Walker Art Center sent six paintings that demonstrated how diversely students in a progressive art school will advance. They ranged from Reginald Anderson's Figures, a spiky, thin-air abstraction, to Roland Thompson's carefully realistic Culvert. William Chaiken's patchwork Tryst at the Fountain (see cut) was painted at Manhattan's Art Students League, showed the weary sophistication that comes with spending a lot of time in big-city galleries...
...kingdom's purity), and a city with a first-class medical center and maternity hospital. Left to Mayor Kenny also was a city with one of the highest tax rates in the nation, rigged assessments, discouraged businesses, factories deserted by fleeing industry, a city turned into a huge patchwork of slums by political graft. Left to historians was the problem of discovering, if they could, the exact details of how Frank Hague, on a salary never bigger than the mayor's $8,500 a year, became several times a millionaire. Left to Frank Hague were his declining years...
...composition, Villon's landscapes were as cubist as ever. He had broken the trees, rivers, mountains and towns of southern France into thin flakes and shavings of color, and though he obeyed the laws of perspective in applying his painted patchwork to canvas, he used different perspectives for each patch. As a result, his pictures looked rather like panoramas painted into the pleats of an accordion. Even his self-portrait appeared to have been painted on creased and crumpled paper: the self-possessed face was only half there...