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...flaw with the mutual exclusivity argument lies in intent. Guccis do not and cannot enter a corporate job with the intent of bettering the lives of others. As a result, if efficiency called for layoffs, Guccis must recommend that path. In this sense, social justice and corporate employment may not be mutually exclusive like oil and water, but it is not complementary like peanut butter and jelly...

Author: By Alexander T. Nguyen, | Title: Blame Harvard for Cold Hearts | 11/23/1998 | See Source »

...rotary phone and the mimeograph have charted its path, but the typewriter is putting up a fight...

Author: By Scott A. Resnick, CRIMSON STAFF WRITER | Title: Computer Age Can't Kill the Typewriter | 11/20/1998 | See Source »

...male front, crooner Jimmy Powers, playedby Jonathan Simpson '99, is cheesy to the point ofperfection. Along with the dynamic but sometimespatchy-sounding Angel City quartet, he insinuatesa sentimental path into our ready hearts.My ready heart. Lieutenant Munoz (RodrigoCharazo) was a favorite as the figure of dissent,with his deceptively sunny but really acid piece"All You Have to Do is Wait." It is with "Funny,"towards the end of the show, that Roulleau finallysinks his teeth into Stine and shows some fire inthe eye. However, this is not really a failingwhen playing a character which is generally staidand less than...

Author: By Phua MEI Pin, CRIMSON STAFF WRITER | Title: Hardboiled 'Angels' is Delicious | 11/20/1998 | See Source »

...constant element of my life. It's just something I dip into every once in a while for a reaction and for fun. It's a way to escape the monotony of hackneyed college life. My personal motto is, "Don't let yourself be caught in the same old path. Walk all the walks and have delirious amounts...

Author: By Shara R. Kay, | Title: Harvard's Silver-Medalist Stripper | 11/19/1998 | See Source »

...pilgrim's path is made easier, Allen says, if he or she is armored by innocence rather than made vulnerable by naked need. It also helps if there is someone utterly indifferent to fame who can lend a guiding hand. It's Robin's good luck that such a figure interrupts her consultation with the cosmetic surgeon. He's a television producer named Tony Gardella (Joe Mantegna) doing a story on the currently hot doctor, and he thinks Robin looks fine just the way she is. And he thinks she might shake her funk if she comes to work...

Author: /time Magazine | Title: Cinema: The Wages Of Fame | 11/16/1998 | See Source »

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