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Word: patheticism (lookup in dictionary) (lookup stats)
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Usage:

The play has little action; it merely follows the four through one day in their lives and, in a series of conversations, lets then reveal to each other and to the audience just how wretched and hopeless they are. But as they continually scratch each other raw then draw back...

Author: By Thomas K. Schwabacher, | Title: Long Day's Journey Into Night | 10/22/1956 | See Source »

Eydie (pronounced Ee-dee) Gormé, 25, had a solid record hit in Too Close for Comfort (ABC-Paramount), and another is coming up strong in one of those too-innocent-for-comfort ditties called Mama, Teach Me to Dance. She has also accumulated three years of experience on Steve...

Author: /time Magazine | Title: Music: New Pop Crop on Top, Sep. 3, 1956 | 9/3/1956 | See Source »

The French mock hero of Five A.M. has a bad case of the hoo-ha's. His creator, Jean Dutourd. 36, is an accomplished satirical duelist (A Dog's Head, The Best Butter) who likes nothing better than to blood his pen on the foibles and pomposities of...

Author: /time Magazine | Title: Books: The Hour of the Hoo-Ha's | 8/27/1956 | See Source »

Brook Watson and the Shark was Copley's only real contribution to European art. Actually the work of his London peers (Romney. Gainsborough. Reynolds, West) corrupted Copley's homespun realism. To compete in such fast and fashionable company, the old dog learned a pathetic array of new tricks...

Author: /time Magazine | Title: Art: JOHN COPLEY: Painter by Necessity | 8/13/1956 | See Source »

Yet for my money Cradle Song is still a perfect gem of a play. The Sierras have used very few words from the dramatic alphabet, but with them they have managed to say a great many things about human nature. Indeed, the irrepressibility of human nature--of personality, of emotions...

Author: By Stephen R. Barnett, | Title: The Cradle Song | 8/2/1956 | See Source »

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