Word: patinir
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Dates: during 1980-1989
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...went to Europe in 1928 to study the Northern Renaissance portraits on which American Gothic is based, and to examine the work of Patinir and Bruegel, from which his aerial views of landscape were partly derived. He did not look at modern art when he was there, although there are some mild homages to it in his later work: the purposeful, bland, geometric rotundity of skirts and cows' backsides bears some likeness to the derivations from Léger one sees in the English vorticist William Roberts. His addiction was to the consoling udder, not the maddening verre...
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