Word: patriarchal
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Dates: during 1990-1999
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...which never quite becomes the smoothly reciprocating engine Anderson (who did Boogie Nights) would like it to be. Indeed, only one of his tales is fully persuasive. That's the one about the Partridge family, which is not to be confused with the nice folks from '70s TV. The patriarch, Earl (Robards), is dying of cancer, a metaphor for decay that Anderson likes too much. Earl's trophy wife (Moore), who married him for his money, has decided she actually loves the old guy and is in a guilty frenzy to prove it. He, meantime, is desperate to reconcile with...
...invest early and often. By buying more tickets in the e-commerce game than anyone else, the company improves its chances of winning the lottery--even if there is a massive shakeout. In effect, Citizen Son is establishing the world's first virtual conglomerate. He wants to be the patriarch of a loose but fiercely loyal network of companies that span the globe, feeding each other and starving the competition...
...order to avoid Washington's guidelines on affirmative action and equal outlays for women's sports. But students can't bear to go near the kiosk anymore, not since it became a gathering point for the reporters who have gone to Hillsdale to find out if Roche, campus patriarch, truculent moralist, really did carry on a 19-year affair with the wife...
...pure pop and urban soul--she chose, a few albums ago, to integrate hip-hop into her sound. Her mostly entertaining new CD features cameos from a host of rappers, including Snoop Dogg and the gruff-voiced Mystikal. Some of Carey's lyrics are revealing: "I gravitated towards a patriarch," the now divorced diva sings in Petals. Some of her music, however, is less pointed and could use more grit. Carey longs for the hard black soul of the street, but she hovers a bit above it, heat shimmering off the asphalt...
...fore. The film practically drips with satire--but it's a satire that's not entirely Austen. Of course, the story itself mocks many of the mores of the society Austen depicts, and the movie, accordingly, is not without some excellent moments (Harold Pinter makes an excellent pre-Victorian patriarch, dropping proper ultimatums right and left). But the new Mansfield Park, Rozema-style, takes the satire to a new level, mocking an entire era and bringing to the surface its deficiencies and ridiculousness. The criticism of the Antiguan slave trade in particular, less prominent in the novel, is quite visually...