Search Details

Word: patrician (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...KAHN, JR. '37 seems to peer through The New Yorker logo's snooty and nostalgic lorgnette at sooty skyscrapers. To Kahn, the late multimillionaire Jock Whitney "epitomized, in a world of increasing egalitarianism, the vanishing patrician. "The era of the robber barons, that period of freewheeling economic exploitation that made the Whitneys rich, is over, says Kahn--wistfully, it seems. Hamburger sales under gold plastic arches make tycoons now. The world is a Kroc...

Author: By Peter Kolodziej, | Title: Loaded But Human | 3/3/1982 | See Source »

THIS TABLOID SIZE humanity makes wealth easier to distribute vicariously. So long as the rich appear men of the people, we can aspire to luxury. The patrician with the common touch preserves equality of opportunity. At the same time, we like variety in our world of increasing egalitarianism. Equality may suggest mediocrity and no one seeks mediocrity openly. Instead, we want to identify with those who won't settle for the second rate. Even McDonald's had standards, though perhaps more of uniformity than excellence. the rich give us the break we deserve from sooty skyscrapers...

Author: By Peter Kolodziej, | Title: Loaded But Human | 3/3/1982 | See Source »

DIED. John Hay ("Jock") Whitney, 77, redoubtable financier, distinguished diplomat, enterprising publisher and the epitome of a U.S. patrician; of congestive heart failure; in Manhasset, N.Y. The Groton-and Yale-educated scion of one of America's wealthiest and most distinguished families. Whitney used his entrepreneurial skills in a grand array of profitable ventures. In the 1930s he astutely backed Gone With the Wind and the long-running Broadway hit Life with Father. He also made early investments in Minute Maid orange juice, Pan American World Airways and several radio and TV stations. A moderate Republican, he was named...

Author: /time Magazine | Title: Milestones: Feb. 22, 1982 | 2/22/1982 | See Source »

...millionaire. But as time drags on, and Primo realizes that meeting the ransom demand will mean closing his factory, he begins to believe that everyone around him - his son's girlfriend (the darkly sensual Laura Morante), a radical worker-priest (Victor Cavallo), maybe even Primo's patrician wife (Anouk Aimee) - is involved in the abduction. Conspiracy or paranoia? Primo says: "I prefer not to know." And the film takes no sides, instead allowing both protagonist and moviegoer to entertain each terrible possibility...

Author: /time Magazine | Title: Cinema: The Politics of Melodrama | 2/15/1982 | See Source »

...those Dallas debutantes and their patrician paters who can think of nothing more socially responsible to do with their millions than throw garish, three-month-long coming-out parties [Dec. 21], I'll bet they're all supplyside, trickle-down, cut-school-lunch-program Republicans. What about the poor? Let them eat leftover crab souffl...

Author: /time Magazine | Title: Letters: Jan. 11, 1982 | 1/11/1982 | See Source »

Previous | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | Next